Steal Big Steal Little

In the sun‑splashed hills of Santa Barbara, a sprawling 40,000‑acre ranch becomes the unlikely stage for a battle of wills. The estate was built by the flamboyant billionaire Mona Rowland‑Downey, whose eccentric generosity shaped the lives of two orphaned twins. When she passes, her will designates the land to one brother, setting a tone of uneasy generosity that borders on absurdity. The film moves through this lush, isolated world with a darkly comic edge, where opulence and absurdity clash, and the scenery itself feels both a sanctuary and a pressure cooker for the characters who inhabit it.

Ruben Martinez is the quieter of the twins, a modest man who has spent years tending the ranch’s rhythm. His sibling, Robby Martin, carries the same blood but a very different ambition, eyeing the property as a lever for power. Their shared history with Mona creates a bond that is as fragile as it is fierce, and the inheritance instantly magnifies the tension between them. Into this familial swirl steps Lou Perilli, a former Chicago cop turned used‑car dealer whose off‑beat optimism and street‑wise pragmatism make him an unlikely ally. Across the divide, Reed Tyler, a sharp‑tongued businessman, aligns himself with the more aggressive pursuit of control. Overseeing the legal tangle is Eddie Agopian, a lawyer whose loyalty seems to pivot on the size of his commission.

The tone is unmistakably a dark comedy, riffing on themes of greed, power, and twisted brotherly love. The characters navigate a world where wealth is both a shield and a sword, and where every polite conversation can hide a razor‑sharp intent. With a cast of eccentric supporters and opportunistic rivals, the atmosphere crackles with witty banter, subtle menace, and an undercurrent of looming chaos that promises to test the brothers’ bond in ways both comic and unsettling.

Last Updated: October 27, 2025 at 16:42