Sorry, Baby

In the quiet corners of a New England town, the story opens on Agnes, a thoughtful woman whose life has been marked by a lingering, unspoken wound. The film paints a tender, reflective world where everyday moments—long conversations over tea, the soft purr of a cat, the glow of a lighthouse in the distance—are both a balm and a reminder of what remains unsaid. The tone is intimate and lyrical, inviting viewers to feel the weight of past hurt without ever revealing its full shape, while emphasizing how quietly resilient life can be.

Enter Lydie, Agnes’s longtime friend, whose own journey begins with a surprising revelation that she is expecting a child. Their bond, forged through shared histories and quiet understanding, becomes a gentle catalyst for both women to navigate the spaces between memory and possibility. As Lydie contemplates the future of her growing family, the film lingers on the nuanced dance of support, worry, and hope that defines their friendship.

Around them move other familiar faces: Gavin, a charming presence who offers a glimpse of new affection, and Natasha, a sharp-edged companion whose opinions often clash with the softer currents of the group. Their interactions are layered with humor, tension, and the occasional sting of rivalry, portraying a circle of friends each carrying their own quiet burdens while trying to uplift one another. A modest sandwich shop owner and a few other locals add further texture, grounding the narrative in a community that feels both close‑knit and expansive.

Through these interwoven relationships, the film explores how trauma can coexist with moments of ordinary joy, how love can appear in unexpected forms, and how the simple act of being present for someone else can become a quiet act of healing. The mood remains contemplative yet warm, leaving the audience with a lingering sense that, even in the wake of unseen hardships, life continues to unfold with fragile beauty.

Last Updated: August 09, 2025 at 19:06