So Goes My Love

In the restless bustle of 1930s Brooklyn, a young woman from a modest farm arrives with a clear‑cut ambition: to trade the hard‑won simplicity of her countryside life for the comfort and culture of a wealthy husband. Jane Budden carries the hopes of a family that has sold its pig herd to fund this dream, and she steps into a world of polished parlors, glittering social gatherings, and a chorus of expectations that measure a woman’s worth by the size of her dowry. The city’s rhythm—fast, demanding, and full of promise—immediately challenges the grounded sensibilities she has known all her life.

Amid the glittering veneer, Hiram Maxim—an inventive but perpetually short‑on‑fund tinkerer—offers a startling contrast to the polished suitors that swirl around Jane. His workshop, cluttered with half‑finished contraptions and the lingering scent of oil and ambition, reflects a life driven more by curiosity than by cash. With a mixture of swagger, humor, and unapologetic honesty, he embodies a kind of rugged creativity that both unsettles and intrigues Jane, prompting her to question the simple equation of love with wealth. Their interactions are a dance of rivalry and attraction, each probing the other’s convictions while the city itself watches, amused and expectant.

The film moves between the bright, bustling streets of the metropolis and the lingering echoes of Jane’s rural roots, creating a tone that balances lighthearted romance with a subtle critique of material aspiration. As the two protagonists navigate social expectations, personal ambition, and the ordinary miracles of everyday invention, the story hints at a deeper lesson: that true fulfillment may lie somewhere between the pursuit of comfort and the daring pursuit of one’s own inventive spirit.

Last Updated: December 05, 2025 at 09:53