The Sessions

In the heart of 1988 Berkeley, a city buzzing with activism and artistic vigor, lives a man whose world is confined to the quiet hiss of an iron lung. Mark O’Brien, a thoughtful journalist and poet, has spent his adult life behind the mechanical apparatus that keeps him alive after childhood polio. The walls of his apartment become the borders of a larger, unseen landscape—a place where language, imagination, and yearning collide. Though his body is restrained, his mind drifts through the same streets, cafés, and lecture halls that pulse with ideas about freedom, love, and the human body.

The film settles into a tone that is both tender and unflinching, inviting the audience to sit beside Mark as he confronts a question that has lingered in his consciousness for years: what does it mean to be physically intimate when the body itself feels like a prison? Seeking guidance, he turns to his priest, Father Brendan, whose quiet counsel opens the door to an unconventional path. This leads him to Cheryl, a professional sex surrogate whose presence introduces a new kind of dialogue—one that blends clinical expertise with genuine compassion, challenging the boundaries between mentorship, friendship, and desire.

As the story unfolds, the atmosphere is charged with a subtle blend of vulnerability and quiet humor. The interactions between Mark, Cheryl, and the small community that orbits his life reveal a mosaic of perspectives on love, autonomy, and the courage required to ask for help. The film gently explores the contrast between the stark mechanical rhythm of the iron lung and the soft, unpredictable cadence of human connection, inviting viewers to wonder how far a spirit can travel when the body is anchored in place.