The Sessions

The film is set in Berkeley, California in 1988. The story centers on Mark's apartment building and the surrounding neighborhood where his daily life and relationships unfold. Berkeley, known for its prominent university and activist history, provides the backdrop for themes of independence, intellectual life, and personal longing that drive the narrative.

The main events of the film take place in 1988. The story follows Mark's journey with his sex surrogate during this late-1980s period, which influences the attitudes toward sexuality, disability, and caregiving depicted in the film. The narrative frames his story leading up to his funeral in 1999.

Mark O'Brien is a 38-year-old poet and journalist living in Berkeley who has been confined to an iron lung since contracting polio as a child. Despite his severe physical limitations, he possesses a curious mind, sharp humor, and determined optimism. His core motivation is to experience intimacy and physical connection for the first time, seeking to explore his sexuality beyond his physical constraints.

Cheryl Cohen-Greene is a professional sex surrogate hired to help Mark explore intimacy within a structured, consent-based framework. Her role begins as a professional arrangement but gradually evolves as genuine feelings develop between them. She must navigate the ethical complexities of her profession while managing her personal relationships, including jealousy from her husband.

Father Brendan is a Catholic priest who serves as Mark's spiritual counselor, providing guidance on matters of desire, vulnerability, and healing. He represents the moral and ethical dimensions of the story, helping Mark navigate questions of guilt, faith, and forgiveness. His character embodies the tension between religious morality and personal longing that runs through the film.

The film explores several interconnected themes: Love & Longing (the drive to experience intimacy despite physical constraints), Disability & Independence (the intersection of physical limitation with personal autonomy and dignity), Faith & Ethics (questions of boundaries, consent, and professional ethics in intimate care), and Mortality & Memory (the protagonist's reflection on legacy through his relationships and eventual death).

The film examines how Mark's polio and dependence on an iron lung shape his experience of desire, vulnerability, and agency. The surrogate arrangement empowers him to pursue intimacy while highlighting both the limits and resilience of his body. The narrative explores how disability intersects with personal autonomy, showing Mark's determination to claim his right to physical and emotional connection despite his physical constraints.

Through Father Brendan's guidance and Cheryl's surrogate role, the film raises questions about boundaries, consent, and professional ethics in intimate care. It contrasts religious morality with personal longing, forcing characters to navigate feelings of guilt, duty, and compassion. The resolution emphasizes care, forgiveness, and the complexity of human relationships when professional lines become blurred by genuine emotion.

Mortality is woven throughout the film, culminating in Mark's funeral in 1999, which frames the entire story as a meditation on legacy and memory. Despite his physical limitations, Mark's pursuit of intimacy and connection becomes his way of leaving a meaningful mark. The poem he wrote for Cheryl recurs at his funeral, underscoring how relationships, even those that are fleeting, can shape a person's lasting legacy.

Berkeley serves as more than just a backdrop, it represents the city's reputation for intellectual culture and progressive activism. The university environment and the city's history of social advocacy provide context for Mark's pursuit of personal freedom and self-determination. The setting reinforces themes of independence and intellectual life that parallel Mark's own journey toward emotional and physical liberation.

The film maintains a hopeful tone centered on empowerment and liberation, despite dealing with serious subject matter involving disability and mortality. The pacing is steady and character-driven rather than dramatic, focusing on emotional development. While the story concludes with Mark's death at his funeral, it is bittersweet rather than tragic, celebrating the meaningful relationships he formed and the intimate experiences he achieved.