Since Otar Left

The film takes place in two main locations. The primary setting is Tbilisi, the oldest district of Georgia's capital, where the elderly Eka lives in cramped quarters amid a community struggling with post-Soviet economic challenges. France serves as the contrasting backdrop, representing opportunity and modernity, where Otar lives and works.

The film is set in 2002, during Georgia's early years of independence following the collapse of the Soviet Union. This specific time period is significant because the country was navigating profound economic uncertainty, forcing many citizens to seek work abroad.

Tbilisi is portrayed as a working-class neighborhood characterized by cramped living conditions and economic hardship. The film depicts a community deeply affected by Georgia's post-Soviet struggles, where unemployment is prevalent and families face difficult choices to survive.

Loss is the central theme, exploring how the sudden death of Otar creates a web of deception as the women attempt to protect Eka from the painful truth. The film examines how love motivates protective lies, and the complex emotional toll of hiding reality from someone you care about.

The Dreams theme highlights the generational divide in aspirations. While Eka clings to traditional ideals and hopes for Otar's return, her granddaughter Ada yearns for a modern life in the West. Ada's desire for change represents hope but also creates tension with family obligations, ultimately leading to a bittersweet decision.

Family bonds are depicted through the three women, Eka, Marina, and Ada, who share deep connections despite differing views. Their love for one another drives their actions throughout the film, demonstrating how familial support persists through hardship, lies, and loss.

The film centers on three generations of women: Eka is the elderly matriarch who cherishes letters from her son Otar in Paris; Marina is her daughter, a educated woman facing unemployment who maintains the lie about Otar; and Ada is the ambitious granddaughter torn between pursuing her own future and family duties.

Ada represents the younger generation's hope and desire for change. She is ambitious and dreams of a modern life in the West. Her journey explores the tension between personal aspirations and family obligations, culminating in a decision that symbolizes both courage and the bittersweet nature of pursuing one's dreams.

Eka serves as the film's emotional center, embodying traditional values of her generation while dealing with the loss of her son. Her relationship with daughter Marina highlights generational tensions between old and new ideologies, while her close bond with Ada shows her capacity for love and adaptation despite hardship.

France serves as a symbol of opportunity and modernity contrasting with struggling post-Soviet Georgia. It represents the dream of a better life that draws Georgians abroad, yet also embodies the separation and longing that comes with pursuing those dreams far from home.

The 2002 post-Soviet setting is essential to understanding the characters' desperation and choices. Economic uncertainty forces many Georgians to seek work abroad, which explains Otar's absence and the financial pressures facing Marina. The film reflects the broader societal struggles of a nation in transition during this historical period.

The film has a melancholic tone defined by a pervasive sense of loss and quiet sadness. However, it avoids being bleak because the persistent theme of protective love adds warmth. The overall feeling is bittersweet, mixing grief with hope, and loss with the endurance of family bonds.