She-Wolf of London

Phyllis lives with her Aunt Martha, cousin Carol, and servant Hannah at the Allenby Mansion while preparing to marry Barry Lanfield. The wedding date approaches and tension creeps into the household. Outside, London is buzzing with rumors of a rising threat in the nearby park.

A string of park murders shocks the city, each victim found with their throat ripped out. Scotland Yard detectives whisper about werewolves, while some suggest a more human mastermind. The fear spills into the Allenby household as the case grows closer to home.

Nighttime sightings of a Wolf-Woman near the mansion fuel the belief in a supernatural killer. Inspector Pierce remains skeptical of the werewolf theory, while others whisper of curses and legends. Phyllis begins to fear that the danger she dreads might be closer than she realizes.

Phyllis repeatedly denies that Barry has visited her as the wedding approaches. Barry, worried for her safety, begins investigating both the park murders and the movements around the mansion. He questions staff and watches the corridors, seeking a rational explanation for the violence.

A detective who visits the mansion is murdered in the same brutal way as the park victims. The crime reinforces the sense that a dangerous truth lingers beyond superstition. Barry's suspicions widen to include something organized and intimate within the mansion.

Barry continues his investigation, probing both the park murders and the activities around the Allenby Mansion. He notes odd routines and secretive behavior among the household members. Phyllis's fear deepens as the investigation seems to draw danger closer to her.

Aunt Martha's strange control over the household and protective attitude toward Carol raise red flags. Other relatives keep their own secrets, and Phyllis feels increasingly isolated. The cracks in the family's facade begin to hint at a hidden motive behind the terror.

It is revealed that Aunt Martha orchestrated the attacks to convince Phyllis she was insane and to keep the mansion for herself and Barry. She even targeted Dwight, Carol's boyfriend, to remove him as a rival. The murderous acts are exposed as calculated family manipulation, not supernatural fever.

As Martha moves to kill Phyllis with a knife, the danger reaches a fever pitch in the foyer. Phyllis's fear turns into desperate resolve as she realizes the danger is personal and mortal. The scene marks a shift from folklore to a domestic thriller.

Hannah overhears the confrontation and threatens to go to the police, determined to stop Martha's plan. The household trembles as the truth about the 'wolf' seems near, but the killer remains at large for a moment longer. She steels herself to reveal the entire plot if necessary.

Martha chases Hannah down the stairs, but trips and falls on her own knife, dying instantly. The immediate threat to Phyllis ends in a grim twist of fate. The mansion falls silent as the truth begins to surface.

Barry, Carol, and the police arrive as Hannah explains that Martha was the killer and the so-called 'she-wolf'. The revelation shatters the legend and brings relief to Phyllis. Barry reassures Phyllis and they share a quiet, intimate hug.

Barry confirms that Martha is dead and the danger has passed. Phyllis feels the weight lift and leans on Barry's support. They decide to move forward together, leaving the curse of misinterpreted folklore behind.