Selfie

In the bustling world of Indian cinema, a high‑stakes film is poised to wrap its climax on a navy‑controlled set, yet the production hinges on a seemingly ordinary requirement: the lead actor must present a valid driving licence. The urgency of the shoot collides with the slow‑moving gears of bureaucracy, turning a routine paperwork matter into a catalyst for unexpected drama. Media cameras linger outside government offices, and every whispered rumor about the star’s compliance ripples through fan circles and trade tables alike.

Om Prakash Aggarwal is a motor‑vehicle inspector in Bhopal whose devotion to the silver‑screen hero goes far beyond casual admiration. He balances the stern responsibilities of his post with the tender life of his wife Minty and their son, navigating the delicate line between professional duty and personal fandom. His reverence for the actor fuels a quiet confidence that he can bend the system—if only for a moment—without crossing the bounds of his own conscience.

Vijay Kumar, the charismatic leading man, has built a career on daring roles and a public persona that idolizes freedom on the open road. As his upcoming film teeters on the edge of delay, he finds himself caught in a web of expectations: a pending overseas trip, a surrogate birth, and the mounting pressure from producers and rivals alike. The presence of Suraj Diwan, another prominent figure in the industry, hints at a subtle competition that sharpens the stakes, while local politician Vimla Tiwari adds an extra layer of intrigue to the already tangled narrative.

The film unfolds in a tone that blends satirical commentary on celebrity culture with the earnestness of everyday bureaucracy. It explores how a single missing document can amplify personal obsessions, public scrutiny, and the fragile balance between fame and ordinary life, leaving the audience poised to wonder how far devotion will go before it reshapes the very world it seeks to celebrate.

Last Updated: October 23, 2025 at 16:12