Second Coming

In contemporary London, a married couple find their ordinary lives upended by a startling revelation: they are expecting what seems to be an immaculate conception. The film dwells in the intimate spaces of a middle‑class household, where the familiar rhythm of daily routine is tinged with an undercurrent of mystery that blurs the line between blessing and curse.

Jackie is a compassionate social worker whose discovery of the pregnancy casts a quiet shadow over her usually steady demeanor. Her husband Mark senses an unsettling distance growing between them, his intuition prickling as intimacy fades and questions linger in the air. Their son JJ navigates the same world through the eyes of a schoolboy, where ordinary moments—drawing winged symbols on misted windows and encounters with birds—hint at larger, ambiguous forces at play. His classmate Lauryn provides a grounding yet equally perceptive counterpoint, reminding viewers of the fragile social currents that surround the family.

The couple’s close circle adds further texture: Bernie, a friend and coworker, becomes a sounding board for whispered doubts, while the welfare office backdrop offers a glimpse of societal pressures and prejudices that echo the family’s private turmoil. Subtle, recurring motifs—water, light, and feathered creatures—surface in the film’s visual language, creating a dream‑like atmosphere that mirrors the characters’ inner disquiet without spelling out its source.

Through measured pacing and restrained storytelling, the narrative explores how an extraordinary circumstance reshapes relationships, stirs quiet anxieties, and invites each character to confront the unspoken possibilities of what lies ahead. The tone remains contemplative, balancing the ordinary with the uncanny, and leaves the audience hovering between hope and unease as the family steps cautiously into an uncertain future.

Last Updated: October 07, 2025 at 13:26