P.S.

Louise Harrington is a thirty-nine-year-old divorcée who serves as the Director of Admissions at Columbia University School of the Arts. Her closest circle comprises her ex-husband Peter and her long-time best friend Missy, revealing a fragile balance between career and personal life. The setup frames her as capable yet emotionally guarded, navigating professional ambition while dealing with unresolved heartbreak.

Louise receives an application from F. Scott Feinstadt, the same name as her late high school sweetheart who died in a car crash. Curious and unsettled, she arranges an interview when she notices he has not included the required slides. The instance marks the beginning of a mystery that blurs past romance with present ambition.

The voice on the phone is eerily familiar, prompting Louise to search for clues about the student's past. She travels to her mother's upstate home to find memorabilia of Scott, hoping to uncover a connection. The journey underscores her vulnerability and growing fixation on the possibility of reincarnation.

F. Scott Feinstadt finally appears in Louise's office on Monday. His appearance, mannerisms, and painting style closely resemble Louise's former love, fueling her belief that he might be the reincarnation. She starts to question whether she is confronting the past or being deceived by memory.

Louise studies F. Scott’s slides, looking for signs that he is real or merely a reflection. Sensing rejection, he hurries out of the office, afraid of her assessment. Louise's private scrutiny deepens the tension between past romance and present reality.

Determined to understand him, Louise persuades F. Scott to participate in a private interview at her home. The interview becomes intimate, and their mutual attraction quickly deepens into an affair. The line between professional boundaries and personal desire blurs as the night unfolds.

Louise and F. Scott's private liaison evolves into a full-blown affair, drawn as much by longing as by the mystery surrounding his identity. Louise struggles with loyalty to her career, her ex-husband, and her own longing for the past. The relationship intensifies while her other relationships remain unsettled.

That night, Peter reveals his sex addiction to Louise during dinner. He confesses having sex with nearly 100 women and men, admitting a compulsive pattern that jeopardizes their marriage. The revelation challenges Louise's trust and complicates her emotional state as she faces hard truths about her ex-husband.

Peter explains that Louise's apparent cluelessness about his behavior practically goaded him to continue, even wanting to be caught. He argues that his actions reflected both his own compulsions and Louise's unspoken neglect. The confrontation leaves Louise reexamining the failure of their marriage.

Louise's brother Sammy, portrayed as a ne'er-do-well, is favored by their mother, adding pressure to Louise's emotional world. The family dynamics reveal the expectations and compromises that shape her decisions. The tension at home contrasts with the drama unfolding with F. Scott.

Missy, Louise's best friend who once stole the original Scott, reappears and seems intent on guiding the contemporary version toward Louise. Her involvement heightens the sense that memory and reality are contending for dominance. Louise becomes wary of Missy's motives and influence.

Louise wrestles with whether F. Scott is truly the reincarnation of her lost love or simply a gifted student who resembles him. She searches for truth in his slides, his art, and his behavior, trying to separate memory from reality. The doubt propels the film toward a suspenseful emotional climax.

The timeline ends with Louise in a precarious emotional position, weighing passion against the reality of the situation. The boundary between life, memory, and art remains blurred as the audience is left to decide what is real. The story suspends judgment, keeping the question of Scott's true nature open.