Year: 1962
Runtime: 89 mins
Language: English
Director: Hubert Cornfield
A volatile clash erupts between two men who have turned against the world and each other. An African‑American prison psychiatrist is forced to confront his own limits when he is assigned to counsel a troubled inmate whose bigoted, Nazi‑inspired beliefs threaten to break the fragile order of the facility.
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Set in a 1962 psychiatric institution, the film centers on a tense dynamic between a young doctor Peter Falk on a staff headed by a senior psychiatrist Sidney Poitier, and a Black patient who detests him because he is white. For seven and a half months, the young doctor struggles to land a breakthrough, growing increasingly weary and even requesting that the patient be reassigned to another clinician. The senior psychiatrist, drawing on a hard‑won experience from two decades earlier, shares a memory from 1942 when he worked as a psychiatrist at a federal penitentiary and encountered a Nazi sympathizer who would shape his own approach to care.
In a flashback, a new prisoner Bobby Darin arrives and is assigned to the doctor. The inmate is openly racist and has been arrested for sedition due to his Nazi sympathies. He taunts the doctor, who responds with a stark, unsettling line: > I’d like to kill you, but I want to help you. This moment sets the tone for a complex, coercive push‑and‑pull between healer and patient.
Over time, the prisoner’s sleep disorders and recurring blackouts push him to recount traumas from his life, especially those from childhood. The narrative unfolds through flashbacks that reveal a harsh, impoverished upbringing during the Great Depression, including an encounter with a kind, young woman who seemed open to a relationship. Her father blocks the romance, and the revelation that the family was Jewish becomes a crucial thread that, alongside his other deep-seated problems, steers him toward Nazism.
Against the doctor’s recommendation, the psychiatric staff decide to parole the prisoner, arguing that the doctor’s concerns are biased by his alleged racism and his perceived devotion to Nazism. The tension between judgment and mercy, science and sentiment, drives the moral hazard at the story’s core.
Back in the present, the senior doctor reveals that the Nazi prisoner was released and later executed for beating an old man to death for no reason. This revelation hardens the young doctor’s resolve, and he vows to continue working with this difficult patient, recognizing that the path to understanding—and perhaps healing—lies in confronting the darkest corners of a troubled mind.
Last Updated: October 09, 2025 at 09:21
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