Poisons or the World History of Poisoning

In a modest, newly‑purchased apartment block, the rhythm of everyday life is punctuated by the thrum of rehearsals and the clatter of a locksmith’s tools. Oleg Volkov, a stage actor whose world is built on performance and illusion, moves in with his wife Katya, hoping to anchor his art in a stable home. Their neighbor, Arnold Sharapov, a quiet locksmith, becomes an unexpected point of contact, and the building’s intimate corridors begin to echo with whispered doubts and silent observations.

When subtle signs stir a deep mistrust, Oleg finds himself teetering between his theatrical instincts and a growing, unsettling curiosity about irreversible actions. Seeking guidance, he encounters the eccentric pensioner Prokhorov, whose calm demeanor masks a repository of stories about infamous poisoners from history. Their conversations drift between the present and the past, as the elder recounts the dark allure of ancient toxins, weaving a tapestry of moral ambiguity that both fascinates and unsettles the actor.

The film’s tone balances the mundane with the macabre, allowing everyday moments—shared meals, late‑night drinks, quiet hallway encounters—to shimmer with a latent tension. Oleg’s imagination becomes a restless companion, conjuring vivid visions of historical figures such as Pope Alexander VI Borgia, whose legacy of intrigue and betrayal lingers like a perfume in the corridors of the mind. This internal cinema offers a reflective space where the line between performance and reality blurs, inviting viewers to contemplate the seductive pull of legacy and the weight of personal choice.

Amidst the understated setting and the quietly spoken histories, the story unfolds as a study of desire, loyalty, and the echo of past sins in contemporary lives. The atmosphere remains charged, leaving the audience perched on the edge of curiosity, waiting to see whether the protagonist will succumb to the dark narratives that surround him or forge a different path.

Last Updated: October 23, 2025 at 16:21