Year: 1966
Runtime: 82 mins
Language: English
Director: Bert I. Gordon
Released from the asylum after her mother’s fiery death, Susan Shelley returns to a family where her father has married a woman driven by the inheritance left by the late spouse. Haunted by her mother’s memory, Susan is used by the step‑mother and her lover, who aim to locate the missing diamond necklace she inherited.
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Socialite Jessica Flagmore Shelley Zsa Zsa Gabor is killed when her bed catches fire. Three years later, her adolescent daughter, Susan Susan Gordon is released from St. Marie’s Convent and Hospital, after recovering from a nervous breakdown. Though deemed mentally healthy, Susan remains confused about the circumstances of her mother’s death. She is now in the custody of her father, Edward Don Ameche and stepmother, Francene Martha Hyer. Susan also becomes reacquainted with her older cousin Anthony Maxwell Reed. Soon, she reads her mother’s will, detailing hundreds of thousands of dollars that she will receive at age 25, and she is told she can resume living in the Flagmore mansion as long as she likes. However, its contents and furniture will be auctioned to generate income to cover losses from Edward’s bad investments. Later, in private, Francene suggests Edward have Susan recommitted to gain control of her trust fund, but Edward dismisses the idea.
One evening, while haunted by disturbing visions, Susan scratches a portrait of her mother. It bleeds. She then experiences an image of Jessica bursting into flames. As a result, Susan deduces that Jessica was murdered, and evidence of this exists somewhere in the house. Later, Susan is attacked by Cousin Anthony’s pet hawk. She beats it dead with one of her dolls. Inside the tattered doll, Susan discovers Jessica’s valuable heirloom, a necklace. Moments later, Francene enters the room, posing as Jessica, and requests the necklace. Susan feigns mental regression. This leads to a violent altercation. The two knock over a phone receiver, through which Francene overhears Anthony on an extension phoning police to report Susan as Jessica’s murderer. Later that evening, Francene confronts Anthony, and their conversation is overheard by Susan. It is revealed the two, who are lovers, conspire to steal Susan’s fortune. Yet they argue how. Their plot ends when an enraged Francene murders Anthony with a large antique fishing hook.
Francene then accuses Susan of stealing her necklace, replicating the scenario that occurred between Susan and Jessica the night she burned to death. Their feud intensifies when Francene pursues Susan through the house with a pair of scissors. The chase ends in the bedroom, where Susan renders Francene unconscious before knocking over a candle and igniting the bed in flames. Edward stumbles upon the scene and puts out the fire. Francene awakens, gripping the necklace in her hand, claiming Susan killed both Jessica and Anthony. Francene then attempts to blackmail Edward with Susan’s alleged culpability and threatens divorce. Edward tells Francene that it was in fact he who killed Jessica to appease Francene, who now laughs hysterically. In a rage, Edward strangles Francene just as he had Jessica. Susan appears from behind a curtain and takes Jessica’s necklace from Francene’s neck. She tells Edward she will help hide his crime—just as she had when he murdered Jessica—before lighting the bedroom aflame with a candle. The two exit the house, hand in hand, as it begins to burn.
Last Updated: October 09, 2025 at 11:21
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Stories of psychological torment and manipulation within oppressive, decaying estates.If you liked the psychological manipulation and gothic setting of Picture Mommy Dead, explore more movies like it. These films feature vulnerable protagonists tormented within oppressive homes, blending family betrayal, inheritance greed, and a palpable sense of dread.
The narrative pattern follows a protagonist, often returning home or isolated in a grand setting, who is targeted by conspirators aiming to destroy their sanity for personal gain. The story unfolds as a battle of perception, where the hero must discern reality from orchestrated deception before they are completely broken or eliminated.
Movies in this thread share a core focus on psychological warfare within a classic gothic framework. They combine a specific mood of paranoid claustrophobia with themes of inheritance, familial betrayal, and the weaponization of mental instability, creating a uniquely unsettling experience.
Where familial bonds are shattered by greed, leading to betrayal and tragic outcomes.For viewers who appreciated the dark family dynamics and tragic ending of Picture Mommy Dead. These similar movies explore stories where greed turns family members into vicious conspirators, leading to manipulation, violence, and emotionally heavy, bleak conclusions.
The narrative centers on a conspiracy hatched within a family, typically targeting a vulnerable member for financial gain. The plot is fast-paced, involving twists, gaslighting, and often murder. The emotional journey is heavy, culminating in an ending that offers no hope, where the perpetrators may succeed or the survivors are left irreparably damaged.
These films are grouped by their shared core theme of familial betrayal for monetary reasons and their unwavering commitment to a dark, bleak tone. They deliver a high-intensity, emotionally heavy experience focused on the collapse of trust and the devastating consequences of greed.
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