OSS 117: From Africa with Love

In the sweltering heat of 1981 Africa, the world feels caught between the lingering echo of decolonisation and the looming chill of Cold‑War machinations. The film paints a vivid picture of sun‑baked capitals and shadowy diplomatic corridors, where French intelligence moves with a swagger that feels both nostalgic and absurdly self‑aware. The visual style leans into retro‑chic palettes, while the dialogue spins a mix of dry wit and over‑confident bravado, setting a tone that balances tongue‑in‑cheek humor with the genuine stakes of a continent in flux.

At the centre of this diplomatic circus stands the impeccably styled yet undeniably clueless Hubert Bonisseur de la Bath, known to the world as OSS 117. Fresh from an improbable escape in Afghanistan, he is promptly reassigned to a mission that promises more peril than paperwork. The assignment forces him to team up—reluctantly, with a youthful, ambitious newcomer, the sharply efficient OSS 1001. Their partnership crackles with generational clash: Hubert’s antiquated, almost caricatured swagger meets the earnest, modern urgency of his junior colleague. Together they are thrust into a delicate, potentially explosive situation that hints at deeper geopolitical currents without spelling them out.

The atmosphere is a rich cocktail of high‑octane espionage tropes and satirical commentary. Behind every smile lies the suggestion of hidden agendas, and every diplomatic meeting feels like a chess game played on a board made of sand and rumor. The film invites the audience to revel in the absurdity of a world where colonial nostalgia collides with revolutionary fervour, all while watching two mismatched agents navigate a maze of intrigue, cultural misunderstandings, and the ever‑present threat of international intrigue that looms just beyond the horizon.

Last Updated: September 01, 2025 at 14:30