One Hundred and One Nights

In a quiet château perched on the outskirts of Paris, the reclusive Simon Cinéma—a once‑renowned actor, producer and director now confined to a wheelchair—spends his days surrounded by the echo of celluloid dreams. At a hundred years old, his memory flickers like an aging film reel, and the world he once shaped threatens to dissolve into silence. To keep the lights burning, he extends an unusual invitation to a young film student, asking her to become the keeper of his stories for a stretch of one hundred and one nights.

​Camille Miralis, fresh from the halls of cinema school, arrives with a notebook and a curiosity that mirrors the old man’s own restless imagination. The two forge an unlikely partnership: he offers a vault of anecdotes that span the entire history of movies, while she supplies fresh eyes and a listening ear that coax his scattered recollections back into focus. Their nightly conversations ripple through the manor’s dim corridors, turning each room into a screen where past glories and imagined scenes intermingle.

The atmosphere of the film is a delicate blend of reverie and melancholy, suffused with the scent of old lacquered chairs and the soft rustle of torn film strips. Simon Cinéma’s mind is described as “full of stars,” a cosmos where identities shift and fantasies bleed into reality, creating a dream‑like tapestry that both comforts and unsettles. As Camille delves deeper into his world, the château becomes a liminal space where the boundaries between memory, desire, and the endless catalogue of cinema blur, inviting the audience to wonder what stories will surface when the past and present collide.

Last Updated: November 25, 2025 at 15:14