OMG: Oh My God!

In bustling Mumbai, where the old bazaars pulse with the clamor of daily life and the scent of incense, a modest shop of Hindu idols and antiques stands as a quiet sanctuary for its owner. Kanji Lalji Mehta, a middle‑class atheist, runs this shop with a practical, skeptical outlook that sets him at odds with the world’s ceaseless reverence. When a low‑frequency earthquake reduces his livelihood to rubble, the disaster is branded an “Act of God,” and the insurance companies turn their backs, leaving him stranded in a maze of bureaucratic denial.

Determined to confront the very phrasing that dismissed his loss, Kanji launches an audacious legal battle—suing the divine itself. The very notion of putting a celestial being on trial draws curious eyes, media buzz, and a cast of unlikely allies. Among them, a humble, disabled lawyer named Hanif Qureshi offers his expertise, while a charismatic stranger with an enigmatic aura, Krishna Vasudev Yadav, appears at just the right moments, hinting at forces far beyond ordinary commerce. Their interactions blend wit, philosophical banter, and a subtle undercurrent of the supernatural, all set against the colorful tapestry of Mumbai’s diverse faiths.

The courtroom becomes a stage where theology, superstition, and the law collide, prompting society to question where the line between faith and accountability truly lies. As Kanji confronts priests, pundits, and pundits alike, the film balances satirical humor with earnest reflection, inviting viewers to ponder the nature of belief without ever settling into didactic territory. The tone remains light‑hearted yet incisive, marrying the absurdity of suing a deity with the genuine human yearning for justice and meaning.

Through clever dialogue and vibrant settings, the story weaves a divine comedy that asks whether a man’s resolve can illuminate the shadows cast by tradition, and whether the answer lies in the heavens, the courtroom, or perhaps somewhere in between.

Last Updated: September 24, 2025 at 05:01