Me, Myself and Her

In a sun‑drenched Italian city where the rhythm of cafés and construction sites intertwine, two women share a life that feels both ordinary and extraordinary. Marina, a former actress turned restaurateur, fills her days with the bustle of service and the lingering echoes of a stage past, while Federica, an architect, builds her world with quiet precision and measured lines. Their five‑year partnership balances Marina’s expressive, outgoing nature against Federica’s reserved, private demeanor, creating a partnership that seems both stable and lovingly symbiotic.

Beyond the intimacy of their home, each woman navigates professional currents that test their confidence. An eager director, Stefano, offers Marina a role crafted specifically for her, stirring the dormant thrill of performance and prompting questions about ambition and identity. Meanwhile, Federica’s career unfolds in a field where personal details can surface unexpectedly, and an interview that casually mentions her name and profession threatens to unmask a part of herself she has kept discreet. These external pressures begin to ripple through the couple’s seemingly tranquil routine.

The narrative also hints at the subtle re‑emergence of a past connection. When Federica unexpectedly crosses paths with Marco, an old acquaintance from a time before her present commitments, the encounter introduces a quiet tension that hangs over their relationship. The possibility of a lingering spark invites both women to contemplate what they truly seek, whether in love, career, or personal freedom.

Set against a backdrop of modern Italian life, the film weaves humor with heartfelt drama, exploring themes of self‑discovery, the courage to be seen, and the delicate balance between independence and intimacy. Its tone is both tender and inquisitive, inviting the audience to linger in the nuanced spaces where love and ambition intersect.

Last Updated: September 24, 2025 at 04:59