Lovin’ the Ladies

Lovin’ the Ladies

Year: 1930

Runtime: 65 mins

Language: English

Director: Melville W. Brown

RomanceComedy

A cynical man who argues that love is driven more by biology and chemistry than by spirit makes a wager, as part of his social experiment, by manipulating situations he can engineer any man and woman to fall for each other and become engaged within a month.

Warning: spoilers below!

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Timeline – Lovin’ the Ladies (1930)

Trace every key event in Lovin’ the Ladies (1930) with our detailed, chronological timeline. Perfect for unpacking nonlinear stories, spotting hidden connections, and understanding how each scene builds toward the film’s climax. Whether you're revisiting or decoding for the first time, this timeline gives you the full picture.

1

Peter arrives at Jimmy Farnsworth's estate

Peter Darby, an electrician, is sent to the home of wealthy Jimmy Farnsworth for a service call. He steps into an opulent setting and meets Jimmy and his circle, setting the stage for the schemes to come. The encounter marks the beginning of the events that will test love and social status.

Farnsworth estate
2

Jimmy proposes a bet to prove the theory

Jimmy declares that any two people can fall in love under the right circumstances and bets George Van Horne $5,000 that he can prove it. George agrees, on the condition that he can choose the two people to participate. The bet sets the entire experiment into motion.

Farnsworth estate
3

George selects Betty and Peter for the bet

George selects Betty Duncan as the woman and Peter Darby as the man for the bet, choosing two people he believes can be influenced by circumstance. He is skeptical but intrigued by the social experiment. The selections reveal the contrast between Betty's boredom and Peter's humble background.

Farnsworth estate
4

Peter is hired to woo Betty with funds from Jimmy

Jimmy hires Peter to woo Betty, paying $2,500 and financing the endeavor, while assuming a high-society masquerade to help Peter blend in. Peter agrees to the pretense, knowing the stakes and the money involved. This marks the start of the staged courtship.

Farnsworth estate
5

Peter meets Joan Bently during a clothes fitting

During a fitting for new clothes suitable for high society, Peter meets Joan Bently, a woman Jimmy has coveted for himself. He is intrigued by her, but Jimmy immediately clarifies that she is not the target of the bet. The encounter foreshadows a genuine connection Peter feels beyond the scheme.

Farnsworth estate
6

Jimmy corrects Peter about the target

Jimmy tells Peter that Betty—not Joan—is the intended target, countering Peter's impression about the encounter. Peter's enthusiasm cools slightly as he realizes the manipulation involved. The moment underscores the tension between genuine feeling and social game-playing.

Farnsworth estate
7

Peter begins romancing Betty at the estate

Under the cover of friendship with Jimmy, Peter begins romancing Betty at Jimmy's estate. He stages romantic touches—flowers, a hired violinist, a perfume-scented parlor, and Shelley’s poems—to elevate the mood. Betty's reactions reveal her indifference to true romance and her interest lies elsewhere.

Farnsworth estate
8

Betty shows interest in Brooks the butler

Betty seems more interested in Brooks, the estate's butler, highlighting the disconnect between Peter's advances and her expectations. The misalignment fuels Peter's realization that Betty may not be the one he is meant to win. The dynamic also underscores the social quirks that complicate the bet.

Farnsworth estate
9

Peter falls for Joan Bently

Peter develops a genuine attraction to Joan as he reveals his zest for life and his humble status. She softens toward him as she sees something real behind the facade. This shift complicates the original plan and deepens Peter's emotional conflict.

Farnsworth estate
10

Peter urges Joan to run away with him

Peter confesses his true status and persuades Joan to leave with him the next morning. He imagines a life beyond the social theater, driven by a shared sense of adventure and authenticity. The confession marks a turning point from performance to real possibility.

Farnsworth estate
11

Jimmy exposes Peter's romance to Joan

Jimmy tells Joan that Peter has been romancing Betty, painting Peter as a dealer of deceit. Joan interprets this as manipulation and doubts his sincerity. The revelation destabilizes the fragile trust that's forming between Peter and Joan.

Farnsworth estate
12

Peter forces a public admission and departs

Peter compels Jimmy to admit the truth publicly, exposing the staged romance and the bet. The confrontation clears the air and puts an end to the subterfuge. The crowd learns what actually transpired between the players.

Farnsworth estate
13

Joan awaits Peter in a taxi

Feeling vindicated and hopeful, Peter finds Joan waiting for him in a taxi outside the estate. The two realize that their connection survived the gambit and choose to pursue a genuine future together. The ride marks the hopeful resolution of the story's romance.

Outside Farnsworth estate, taxi

Last Updated: October 09, 2025 at 11:28

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Lovin’ the Ladies Summary

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Characters, Settings & Themes in Lovin’ the Ladies

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