Jogi

In a restless city where the shadows of the underworld linger behind every streetlamp, a sudden killing of a feared crime lord sends ripples through both the criminal network and the ordinary lives that intersect with it. The aftermath draws the attention of a fledgling reporter determined to uncover the truth, setting the tone for a story that moves between gritty urban alleys and the quieter, rain‑kissed lanes of a distant village. The film’s structure is deliberately mosaic, stitching together memory fragments and shifting perspectives that keep the audience feeling the same uneasy curiosity as the characters themselves.

When the journalist, Nivedhitha, follows the faint trail of the assassin, her pursuit leads her far from the neon‑lit streets to an old woman pleading for help in locating her missing son. The elderly figure, Bhagyakka, embodies a simple yet profound yearning that contrasts sharply with the city’s relentless pace. As Nivedhita agrees to assist, she is drawn into a web of personal histories that hint at a deeper, unseen connection between the hunter and the hunted, without ever spelling out the exact nature of that link.

At the heart of the narrative is Madesha, a man who lives a modest life behind a roadside tea stall, his quiet existence belying a past that threads through both the violent world of the don and the humble hopes of a mother in a remote hamlet. Through subtle glances, lingering shots of rain, and a non‑linear flow of recollections, the film conveys a mood of lingering melancholy and quiet determination. The story invites viewers to wonder how far one will go when duty, curiosity, and an unexpected bond converge, all while the city hums with the promise of secrets waiting just beneath its surface.

Last Updated: October 14, 2025 at 03:52