Jana Gana Mana

In the bustling foothills of Ramanagara, an unexpected crisis ripples outward, shaking the confidence of a nation already on edge. The cityscape, marked by its academic halls and bustling markets, becomes a pressure cooker where public sentiment, media scrutiny, and bureaucratic inertia collide. A sense of urgency hangs in the air, as citizens grapple with the disquieting feeling that the foundations of law and order are being tested.

Amid this turmoil, Prof. Saba Mariyam, a principled university professor, stands as a symbol of social responsibility, her reputation drawing both admiration and intense scrutiny. Beside her, Gouri Lakshmi, a fierce protest leader, channels collective grief into a clamor for accountability, embodying the raw pulse of a community demanding answers.

Opposite them, ACP Sajjan Kumar arrives from the police ranks, embodying a pragmatic, rule‑bound approach to justice. His methodical investigation pits procedure against the chaotic demands of a populace eager for swift action. In stark contrast, Aravind Swaminathan, a physically challenged advocate with a history in law enforcement, brings a quiet moral clarity and a willingness to challenge the system from within the courtroom. Their divergent philosophies—order versus conscience—set the stage for a compelling clash that reverberates through every hallway of power.

The film weaves a tense, atmospheric tapestry of political intrigue, media frenzy, and ethical dilemmas, all framed by the stark beauty of Karnataka’s landscape. Its tone is a measured blend of gritty realism and simmering suspense, inviting the audience to contemplate how truth, power, and personal conviction intersect when a society is forced to confront its own limits.

Last Updated: October 05, 2025 at 16:51