Inside the Mind of a Psychopath

Tila's descent into crime stemmed from a combination of childhood trauma and systemic failure. He suffered severe abuse from his schizophrenic mother and spent his youth in Chile's National Service of Minors. After being denied admission to university because he never finished high school, he moved to Santiago and began burglary, escalating to sexual violence against women.

The film hints at this trajectory early through his rejected artistic aspirations and the trauma ingrained from his mother's abuse.

After Tiare revealed she was pregnant and secretly had an abortion, Tila flew into a rage and killed her with a hammer. He then ate her uterus in a disturbing attempt to 'find his son,' believing he could somehow recover the aborted child through cannibalism.

Tiare's pregnancy revelation earlier in the relationship plants the seed for this horrific act.

The wooden sign on Tila's tomb reads 'No pagó' (He didn't pay), serving as the film's final commentary on justice and accountability. Despite his brutal crimes including murder and cannibalism, Tila evaded punishment by committing suicide before his trial, effectively avoiding any legal consequences for his actions.

This theme of unaccountability echoes throughout the film as Tila repeatedly escapes formal punishment.

Tila used the chaos of a citywide blackout in Colina, when a truck crashed into an electricity pole, to hang himself using the cable of his electric typewriter. Rather than face a life sentence, he chose to evade justice entirely, denying both the legal system and his victims any form of reckoning.

His earlier statement to the journalist about enjoying notoriety suggests his desire to control his narrative beyond the court's reach.

The murder was triggered by Tiare's revelation that she was pregnant but secretly underwent an abortion. This sent Tila into a violent rage, leading him to smash her head with a hammer. The act represented both his loss of control and his twisted belief that the abortion denied him something he was owed.

Their relationship was already characterized by drug use and exploitation, building toward this violent breaking point.

Tila was denied admission to university because he never finished high school. Despite his demonstrated talent in artistic programs during his time in juvenile detention, the lack of a completed secondary education made him ineligible for higher education, fueling his sense of failure and redirecting him toward crime.

This rejection foreshadows his inability to integrate into legitimate society.

Tila targeted high-end homes in Santiago for burglary because they offered maximum financial gain. His pattern involved breaking in, stealing valuables, and then raping the women at gunpoint while forcing their husbands to witness, the combination of wealth theft and sexual violence reflected his dual motivations of financial gain and power control.

This pattern emerges after his move to Santiago following the university rejection.

Tila's faint, knowing smile in response to the journalist's question about whether he enjoys his media notoriety suggests he relishes the attention and has maintained psychological control over his image. It reinforces his character as someone who manipulated perceptions throughout his life, leaving the audience with an unsettling sense that he never truly faced accountability or introspection.

His earlier conversations with his attorney showed his calculating nature and comfort with discussing his crimes.

Tila suffered repeated abuse from his schizophrenic mother during his childhood, which became a foundation for his later violence. While in the National Service of Minors, he excelled in artistic programs, but the trauma combined with later rejections (university) created a pattern of internal rage expressed through increasingly brutal crimes against women.

The film explicitly connects his early trauma to his adult actions through the non-linear narrative.

Tila used an electric typewriter in prison to write poetry and press statements throughout his confinement. This served multiple purposes: it allowed him to craft his public narrative, maintain his identity as an artist despite his circumstances, and exercise control over how the media perceived him. The typewriter cable ultimately became the instrument of his suicide.

The typewriter represents his continued artistic expression alongside his crimes, a duality that persists until death.