Infested

In the bustling, multicultural outskirts of Paris, Kaleb approaches a milestone birthday that feels more like a reckoning than a celebration. His days are a collage of cracked relationships: a distant sister whose memories of their mother tug at old wounds, and a best friend whose silence has turned their once‑tight bond into a quiet ache. An obsessive fascination with exotic creatures offers Kaleb a fragile escape, a hobby that feels oddly intimate in a world that has begun to feel increasingly alien to him.

The neighborhood itself breathes a restless energy, a patchwork of narrow streets, lively cafés, and cramped apartment blocks where every window flickers with the lives of strangers and neighbors. Within this patchwork, Manon wrestles with the practicalities of selling their late mother’s house, while Mathys drifts between loyalty and the temptation of quick money, each interaction underscored by a lingering sense of unspoken tension. Jordy, the former confidant, now exists on the periphery of Kaleb’s routine, their history hovering like an unfinished sentence, hinting at both the comfort of old camaraderie and the sting of unresolved grievances.

When an unusual animal—bought on a whim and carried home like a secret—finds its way into Kaleb’s modest flat, the subtle hum of ordinary life begins to shift. The creature’s presence feels both mundane and ominous, a quiet catalyst that gently nudges the fragile equilibrium toward something far larger and more unsettling. As the first hints of an unseen menace stir, the film settles into a tone that balances gritty realism with a creeping, almost palpable dread, inviting viewers to wonder how far one solitary act can ripple through a tightly knit community on the brink of change.

Last Updated: August 09, 2025 at 20:00