Holy Smoke

In the early‑1970s, a restless young Australian named Ruth Barron feels the pull of something larger than the familiar streets of Sydney. Seeking answers that the ordinary world cannot provide, she travels to India, where she encounters a charismatic guru whose teachings promise a deeper sense of purpose. The vibrant, sun‑baked landscapes of the subcontinent and the quiet intensity of her spiritual pilgrimage set a tone that is both contemplative and charged with an undercurrent of rebellion.

Back home, her parents grapple with the unsettling news. Gilbert and Miriam are torn between love for their daughter and the fear that she has been swept away by an unfamiliar creed. Their concern pushes them to enlist an unlikely ally: an American specialist known for “de‑programming” those caught in what society labels as cults. This task falls to the seasoned but weary PJ Waters, whose reputation for coaxing people back to conventional life brings both hope and trepidation to the family.

The story shifts to the stark, red‑dusted expanses of the Australian Outback, where the clash of cultures becomes palpable. The rugged isolation of the desert mirrors the emotional distance between Ruth’s newfound spiritual convictions and the pragmatic world her parents represent. PJ arrives armed with his methodical approach, yet he quickly discovers that Ruth’s resolve is fortified by a sharp wit and a fierce independence that defy simple categorization.

As the two central figures confront each other, the film balances a tone of darkly comic tension with earnest introspection. It poses lingering questions about faith, identity, and the limits of control—without revealing how the confrontation will unfold. The dynamic between a determined seeker and a determined rescuer creates a compelling backdrop for a story that is as much about the inner landscapes of its characters as it is about the stark physical ones surrounding them.

Last Updated: August 10, 2025 at 12:47