Hochelaga, Land of Souls

In modern Montreal, the city’s bustling streets and historic riverbanks whisper of centuries‑old stories waiting to be heard. When a sudden collapse beneath the iconic Percival Molson stadium opens a hidden fissure in the ground, the event becomes more than a headline—it awakens a silent pull toward the past. The film settles into a measured, contemplative mood, letting the cool air of early evening and the echo of distant crowds frame a world where academic rigor meets the restless pulse of personal heritage.

At the heart of this quest is Baptiste Asigny, a graduate student whose lineage stretches back to Mohawk ancestors. Balancing the pressures of rent, grant applications, and scholarly expectations, he carries both the weight of his family’s oral histories and the fierce curiosity of a researcher. His mentor, Antoine Morin, a seasoned archaeology professor at the Université de Montréal, offers both guidance and the institutional perspective that often clashes with the more intimate, cultural motivations that drive Baptiste.

The narrative unfolds with a tone that is simultaneously reverent and inquisitive, allowing the viewer to feel the tension between the tangible dirt of excavation and the intangible, layered memories of Indigenous peoples. Montreal itself becomes a character, its streets lined with reminders of colonial encounters, its modern infrastructure hinting at the buried layers beneath. The stadium’s sudden opening serves as a metaphorical doorway, inviting a deeper exploration of identity, belonging, and the ways history can surface in the most unexpected places.

Through quiet conversations, lingering glances, and the careful handling of artifacts, the film cultivates an atmosphere of thoughtful discovery. It asks what it means to trace one’s roots when the ground itself seems to hold the answers, and it invites the audience to share in the delicate balance of scholarship, spirituality, and the ever‑present echo of the past.

Last Updated: September 20, 2025 at 16:46