Heavenly Creatures

The film unfolds in the early 1950s, a period marked by post-war societal changes and evolving cultural norms. This era reflects the innocence of youth, yet it also harbors underlying tensions related to familial and societal expectations. The years span from their formative friendship, through personal and familial crises, culminating in the consequences of their actions in 1959.

Christchurch serves as the primary setting of the story, representing a world of contrasting social backgrounds and personal struggles. Port Levy is introduced as a scenic getaway, where the girls temporarily escape their troubles, while Victoria Park becomes a pivotal location for the story's tragic climax. Borovnia, an imaginary kingdom, symbolizes their dreams and desires, providing a refuge from the harsh realities of their lives.

💔 Friendship

The theme of friendship is central to the story, illustrated through the intense bond between Juliet and Pauline. Their relationship oscillates between creativity and chaos, highlighting the depths of human connection and the impact of shared experiences on their psychological development. The transformation of their friendship into something darker signifies the complexity and fragility of youth.

⚔️ Violence

The shift from childhood fantasies to violent imaginings marks a significant theme in the film. The girls' playful exploration of their invented world gradually morphs into darker contemplations, reflecting their suppressed emotions and societal pressures. This dangerous escalation ultimately leads to tragic consequences, highlighting the potential for violence born from obsession.

🌈 Imagination

Imagination plays a crucial role in the lives of Juliet and Pauline, serving as an escape from their respective realities. Their creation of Borovnia becomes a backdrop for their shared dreams and aspirations, emphasizing the power of creativity as both a sanctuary and a catalyst for delusion. The film explores how imagination can simultaneously liberate and imprison individuals in their desires.