Guilty Conscience

Arthur, a wealthy defense attorney, begins to imagine numerous schemes to kill Louise as a way to cope with the divorce. He uses his legal and criminal insight to test each scenario in his mind. An imaginary version of himself serves as a constant advisor, helping him search for a watertight alibi.

In a stream of mental scenes, Arthur runs through each hypothetical murder or courtroom twist, looking for holes and contradictions. He contemplates how a jury might respond and where cross-examination could unravel his plan. The practice remains firmly in his imagination, never materializing on screen.

Jackie Willis and Louise meet in secret to hatch a plot to kill Arthur. They discuss staging the murder as a suicide to dodge suspicion and legal trouble. The plan is laid out with quiet urgency and shared resolve.

Louise and Jackie confront Arthur with a gun and push him toward their staged-suicide scheme. Arthur remains unnervingly calm, pointing out flaws and weak points in their plan. He uses his reasoning to undermine their confidence in their own scheme.

Arthur declares that he has been cheating on both Louise and Jackie with a third woman and was about to go out with her. This disclosure undermines their narrative that he would kill himself or that they could easily stage a murder. The revelation also shows how carefully he has considered his own alibi and timing.

Arthur admits he has been recording the confrontation with Louise and Jackie and intends to use the tape to blackmail Louise. The power shift in the room becomes a dangerous bargaining chip. The plan's fragile balance teeters as real emotions and fear surface.

Enraged and desperate, Louise chases Arthur with a gun. A brief struggle erupts and Louise is shot dead, an event that leaves Arthur legally exposed and morally ambiguous. The death casts a shadow over any further plans or arguments about intent.

With Louise dead, Arthur imagines himself in a courtroom where his imaginary self becomes the prosecutor. He tests how the case would unfold and debates what evidence would or would not persuade a jury. The scene pools his anxieties about judgment and consequence.

It becomes clear that the tape may have been a bluff, and there is little concrete evidence tying Arthur to the murder. Jackie’s testimony would be crucial, but she may not testify to exonerate him. The ambiguity about proof deepens the tension.

Back at home, Arthur reassesses the plan, poking holes in the supposed certainty of any resolution. He concludes that the scenario remains trapped in his own imagination, disconnected from a real, watertight outcome. The realization underscores his isolation and fixation.

Louise returns home and shoots Arthur dead, then phones Jackie to inform her that the deed is done. The act confirms the collapse of any previous plan and pivots the story toward its unsettling final turn. The line between fiction and reality blurs as the living room becomes a crime scene.

In the closing moment, Louise rearranges the living room to cover up the murder, leaving the true sequence of events open to interpretation. The camera lingers on the altered space, hinting that the truth may be hidden in plain sight. The film ends with a chilling sense of calculation continuing beyond the screen.