Year: 2014
Runtime: 113 min
Language: English
Director: Harold Cronk
Budget: $2M
A college freshman's faith is challenged when he enrolls in a philosophy class led by a provocative professor. Faced with difficult questions and skeptical arguments, Josh Wheaton is compelled to defend his beliefs. He grapples with profound philosophical debates, questioning his values and considering the cost of standing up for what he believes in. Josh must ultimately decide if his convictions are worth fighting for, even if it jeopardizes his future.
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Josh Wheaton, a Christian college student portrayed by Shane Harper, embarks on a challenging journey when he enrolls in a philosophy class taught by the skeptical Professor Jeffrey Radisson, played by Kevin Sorbo. From the outset, Josh faces an ultimatum: sign a declaration declaring that “God is dead” to pass the course. Despite warnings from fellow students about the controversial professor, Josh is determined to stick with the class, knowing doing otherwise would disrupt his carefully planned schedule.
Radisson, an outspoken atheist, argues that the progress of science and reason has eclipsed ancient superstitions, positing that history’s greatest philosophers shared his beliefs. Unwilling to conform, Josh stands alone in refusing to sign, prompting Radisson to challenge him to a debate wherein his classmates will determine the victor. A single failure in this debate could jeopardize Josh’s entire academic future, as it accounts for a significant portion of his grade.
In the midst of this intellectual battle, Josh forms a camaraderie with Martin, another student in the class. Meanwhile, his relationship with his girlfriend Kara, who has supported him since their high school days, becomes increasingly strained as she worries about the fallout from his stance against Radisson. They are at a crossroads—Kara, having attended her third-choice college to be with Josh, fears that his boldness could jeopardize their futures.
Guidance comes from Reverend Dave, played by David A.R. White, who emphasizes the inner doubts Josh faces as a sign of the Holy Spirit’s influence, suggesting it is ultimately up to Josh to heed this calling. Over the course of the next few lectures, Radisson grants Josh the opportunity to defend the belief in God, leading to intense discussions. On multiple occasions, Radisson outmaneuvers Josh’s arguments by citing esteemed scientists like Stephen Hawking, who suggest that the universe could arise spontaneously, devoid of divine intervention.
However, as the debates unfold, Josh counters with strong reasoning. He asserts that the universe’s existence requires a creator, pointing out anomalies in the theory of evolution and questioning the moral implications of a godless existence. Tensions escalate as Kara ultimately decides to break up with him, fearing the academic stakes are too high.
In a twist of fate, Reverend Jude, a visitor from Ghana supporting Dave, faces his own setbacks as the duo encounters vehicle troubles. As Josh and Radisson’s debates intensify, Radisson reveals his deep-seated pain stemming from the loss of his devout mother, planting seeds of doubt about his steadfast ideology.
The climax arrives during the third and final debate, where Josh boldly challenges Radisson: “Why do you hate God?” This poignant inquiry drives Radisson into a fit of rage as he divulges his resentment rooted in personal tragedy. In a startling moment of realization, Josh questions how one can harbor animosity toward someone they believe doesn’t exist. Ultimately, Josh’s courage inspires fellow student Martin to declare, “God’s not dead,” prompting a powerful wave of support from their classmates that leaves the professor in defeat.
Throughout this narrative, side stories intertwine, including Radisson’s relationship with Mina, a Christian he often belittles, whose self-acceptance journey leads her to stand up for herself. Additionally, the subplot of Mark, Mina’s brother—an atheist shunning family ties due to his mother’s illness—shows the struggles of faith and belief in the face of personal loss and societal pressures.
As the film builds to an emotional conclusion, themes of faith, resilience, and acceptance culminate in a Newsboys concert that celebrates the triumph of belief, showcasing a heartfelt tribute to the journeys of both Josh and the others affected by the overarching narrative of faith versus skepticism.
Last Updated: October 25, 2024 at 11:55
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
High-stakes conflicts where personal beliefs are challenged by powerful authority figures.If you enjoyed the high-stakes debate in God's Not Dead, this collection features other movies where characters defend their beliefs against powerful opposition. Discover similar drama films about ideological clashes, intellectual courage, and moral defiance.
Stories in this thread follow a clear protagonist-antagonist structure, where a character with deeply held beliefs is forced to defend them against a persuasive and authoritative opponent. The conflict escalates methodically through verbal and intellectual sparring, leading to a public climax where beliefs are either vindicated or broken.
These movies are grouped together because they share a core narrative of a high-intensity ideological battle. They focus on the emotional and intellectual tension of defending personal convictions, featuring steady pacing that builds towards a decisive confrontation.
Uplifting journeys where characters overcome doubt and opposition through steadfast belief.Fans of God's Not Dead's uplifting message will enjoy these stories of spiritual resilience. Find movies similar to God's Not Dead about overcoming skepticism, personal conviction, and celebrating faith with a triumphant, happy ending.
The narrative pattern involves a protagonist facing a spiritual or ideological challenge that tests their core beliefs. Through a series of trials, debates, or personal reflections, they grapple with doubt but ultimately reaffirm their convictions, often resulting in a public victory or personal transformation that feels earned and celebratory.
These films are united by their focus on a personal journey of faith or conviction against skepticism. They blend contemplative moments with defiant energy, leading to a cathartic and uplifting ending that reinforces the power of holding onto one's beliefs.
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