Year: 1971
Runtime: 86 mins
Language: French
Director: Bruno Gantillon
Francoise and Anna, two Parisian swingers on holiday, become lost in the woods and, by chance, stumble into Morgane’s domain, the enchanted realm of the sorceress Morgana Le Fay. She offers them a stark choice: remain forever youthful as her lovers, or be condemned to rot in a dungeon for eternity.
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Read the complete plot breakdown of Girl Slaves of Morgana Le Fay (1971), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.
Two young women, Anna and Françoise, travel by car through the Auvergne. After they run out of gas near a curious village, they spend the night in a barn where they share an intimate moment. The next morning, [Anna] is gone, and a dwarf in medieval garb guides [Françoise] through a forest (later identified as Brocéliande) to a tranquil lake, where a magic canoe carries her to an island and then to a castle where scantily clad women frolic and kiss, overseen by the dwarf Gurth [Alfred Baillou]. In this eerie realm, [Françoise] is interviewed by Morgan le Fay, and bathed by a circle of women. Gurth’s exclusive monologue reveals his grim role: he supplies the women to Morgan and harbors ambitions to seize control himself.
During dinner, Morgan le Fay and [Françoise] discuss love and beauty, and Morgan lays bare that time itself is under her control. She proceeds to caress and kiss [Françoise], while Morgan’s note-worthy entourage wonders if they have been forgotten. Morgan offers immortality and beauty; if the offer is refused, the victim faces a life of abjection among an older cohort. Back on the mortal side, [Anna] lies bound in the basement, and she eventually accepts the deal, while [Françoise] escapes to search for the boat. She manages to swim across the lake, only to find Morgan waiting for her on the far shore—wherever she turns, Morgan appears—and guides her back to the castle, promising to teach her magic.
[Françoise], however, plots with Gurth to escape, and a forthcoming feast seems ripe for plunder. During the festivities, dances unfold and groups of women engage in various kinds of lovemaking; [Françoise] makes love to the woman who wears the magic tunic and slips away with it. The necklace is stolen as well. Now wearing the invisibility tunic and the necklace that controls the boat, [Françoise] only lacks Morgan’s topaz globe to leave the forest. Gurth is accused and condemned to blindness, muteness, and leglessness. In a final twist, he gives [Françoise] his “ring of life” so she can escape; Gurth dies instantly, and [Françoise] flees the castle, mounting a horse that appears at the last moment and riding toward the village just in time for a funeral procession. Yet she calls out for Morgan, who materializes at once, and Morgan escorts her back to the barn, where [Anna] sleeps beside [Françoise], with Morgan watching over them all.
Last Updated: October 09, 2025 at 14:14
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Characters lured into a dark, sensual world ruled by a charismatic villain.Discover more movies like 'Girl Slaves of Morgana Le Fay' that explore dark, sensual fantasy worlds and seductive villains. This list features similar stories of supernatural control, enchanted realms, and the psychological battle between temptation and the desire for freedom.
A protagonist, often an outsider, enters a secluded, opulent domain controlled by a powerful and seductive figure. The story unfolds as a series of temptations and psychological games, where the line between victim and willing participant becomes increasingly hazy, leading to an ambiguous resolution of the central power struggle.
They share a core theme of seductive entrapment within a stylized, otherworldly setting, combining gothic atmosphere with dark fantasy elements. The mood is consistently dreamlike and ominous, focusing on psychological manipulation rather than overt physical horror.
Stories where a physical escape masks a deeper, lingering psychological captivity.If you liked the psychologically unsettling and ambiguous ending of 'Girl Slaves of Morgana Le Fay', explore these similar films. They feature characters grappling with supernatural or psychological control, where escape is physically possible but the mental scars and attachments create a deeply unresolved conclusion.
Characters are subjected to intense psychological pressure within a confined or controlled environment. The climax involves a break for freedom, but the resolution deliberately subverts a clean victory. The final moments hint that the character's psyche has been permanently altered, leaving their true state of freedom in question.
They are unified by a focus on the psychological aftermath of captivity and manipulation. The shared experience is a feeling of unease that lingers long after the credits roll, driven by an ending that prioritizes thematic and psychological ambiguity over narrative closure.
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