Gett: The Trial of Viviane Amsalem

In a society where personal status is ruled by religious tribunals, a woman seeks the legal dissolution of a marriage that has long become a prison. Viviane Amsalem stands before a panel of rabbinic judges, her request for a gett—the ancient document that frees a spouse—setting the stage for a clash between individual desire and an entrenched legal tradition. The courtrooms are austere, their rituals slow and solemn, reflecting a system that values continuity over compassion.

Across the bench sits Elisha, a husband who embodies the same religious framework that keeps the couple bound. His presence is both a personal obstacle and a representation of the communal expectations that dictate marriage, divorce, and gender roles. Their interactions are measured, each word weighed against centuries of precedent, and the tension between them is amplified by the formal, almost theatrical atmosphere of the proceedings.

Beyond the two protagonists, the film paints a broader portrait of a community where the law is lived daily in homes, synagogues, and public squares. The cinematography captures the quiet intimacy of narrow hallways and waiting rooms, while the soundscape is punctuated by the soft rustle of papers and the measured cadence of spoken Hebrew. This world feels both familiar and alien, a place where bureaucracy and belief intertwine, leaving ordinary people to navigate an intricate maze of authority.

The tone is unflinching yet compassionate, inviting the audience to feel the weight of each procedural step and the lingering hope that fuels Viviane’s quest. As the case unfolds, the film balances the stark reality of institutional power with the subtle, human moments that reveal the deep yearning for freedom and dignity at the heart of the story.

Last Updated: August 10, 2025 at 04:49