Flywheel

In a modest town where the hum of engines mixes with the rhythm of Sunday services, a bustling car lot serves as both marketplace and stage for everyday ambition. At its center is Jay Austin, a smooth‑talking used‑car salesman whose effortless charm masks a habit of cutting corners. His world revolves around high‑pressure deals, glossy brochures, and the constant pressure to keep the lot afloat, all while the surrounding community watches from the pews and the parking lot alike.

Behind the polished veneer, Judy Austin navigates the challenges of a growing family, her steady faith offering a counterpoint to her husband’s restless hustle. Their son, Todd, watches with a growing sense of unease, sensing the strain between ambition and integrity. The dealership’s crew—Bernie Meyers and Vince Berkeley—inject a steady stream of comic relief, their larger‑than‑life personalities highlighting the fine line between bravado and folly. As financial clouds gather and whispers of ethical shortcuts drift through the showroom, the atmosphere cracks open just enough to let doubt seep in.

Enter Kevin Cantrell, a curious newcomer whose probing questions stir the air, and Hillary Vale, a local reporter whose presence adds a subtle, watchful pulse to the town’s daily life. Even the gleam of a freshly repaired Triumph, tended by Max Kendall, hints at the possibility of renewal hidden beneath layers of grease and grit. The film balances humor with earnest reflection, painting a portrait of a man caught between the allure of quick profit and the quiet call of conscience, inviting the audience to wonder how far a single choice can ripple through a family, a business, and a community.

Last Updated: October 23, 2025 at 16:15