Floating Skyscrapers

In the subdued yet palpable world of contemporary Poland, Kuba lives a disciplined life split between the relentless rhythm of a swimming pool and the quieter, more uncertain currents of his personal relationships. His days are defined by early‑morning laps and the expectation of performance, while evenings offer brief respites that hint at something beyond the rigid routine. The film introduces this contrast through a lingering sense of both physical exertion and emotional yearning, setting a tone that feels both intimate and unhurried.

When Sylwia, his long‑time girlfriend, drags him to an art opening, the night takes an unexpected turn. Amidst the muted lighting of the gallery and the faint hum of conversation, Kuba encounters Michał, a stranger whose presence sparks an instant, almost magnetic connection. Their conversation, sparked by a shared cigarette, feels charged with possibilities that neither can immediately name, hinting at desires that have lain dormant beneath the surface of their everyday lives.

The uneasy equilibrium of Kuba’s world begins to shift as these three characters navigate overlapping obligations and hidden longings. While Sylwia represents familiarity, comfort, and the expectations of a shared future, Michał embodies the allure of an uncharted emotional landscape. Family dynamics, particularly the quiet pressure from Kuba’s mother, add another layer of tension, suggesting that the path ahead is fraught with societal and personal judgments.

Tomasz Wasilewski’s direction paints a portrait that is both raw and lyrical, using the starkness of a pool and the muted ambience of city spaces to echo the inner turbulence of its protagonists. The film invites viewers to linger on glances, half‑spoken words, and the weight of choices yet to be made, all while maintaining a contemplative mood that asks what happens when love refuses to fit neatly into the expectations surrounding it.

Last Updated: September 26, 2025 at 04:36