Everything's Gone Green

In the sun‑drenched sprawl of modern British Columbia, a world of ordinary jobs, lottery hopes, and coastal breezes provides a backdrop to a story about what happens when comfort is shaken by the promise of quick wealth. The tone is breezy yet introspective, balancing the easy‑going rhythm of a young adult’s daily grind with an undercurrent of restless ambition that feels both familiar and unsettling.

Ryan, a laid‑back twenty‑something who drifts between a lackluster IT job and a carefree social life, suddenly finds his routine ripped apart. A breakup, an eviction, and a surprising claim that his family has won a multi‑million‑dollar lottery set the stage for an unexpected crossroads. The film captures his ambivalence—part relief at freedom, part anxiety about the unknown—through moments that linger on quiet beaches, bustling office corridors, and the hum of everyday conversations that hint at deeper desires.

Enter Ming, a talented set designer whose artistic sensibility contrasts with the pragmatic world Ryan inhabits, and Bryce, a charismatic golf‑course developer whose smooth confidence masks a more ambiguous moral compass. Their presence introduces a subtle tension: the allure of a glamorous, fast‑track lifestyle versus the steady, if unremarkable, path Ryan has known. As the characters intersect, the story explores how friendships and fledgling romances can become entangled with the seductive promise of easy money.

The film’s mood swings between light‑hearted moments—laughing at a botched office resignation, watching a lone whale on a quiet shore—and a lingering sense of unease about what the pursuit of wealth might cost. It asks quietly, without overt drama, whether sudden fortune can truly fill the gaps left by lost love and personal doubt, inviting the audience to wonder where the line between ambition and contentment truly lies.

Last Updated: August 10, 2025 at 09:41