Despair

In the waning days of the Weimar Republic, a restless Berlin teeters between decadent excess and the ominous rise of a new regime. The city’s streets pulse with a nervous energy that turns everyday transactions into theatrical performances, and the looming shadow of political change adds a frantic urgency to even the most mundane conversations. Against this backdrop, the film unfolds as a hysterical comedy, letting absurdity blossom amid the tension of a society on the brink.

Hermann Hermann is a Russian émigré who now runs a modest chocolate factory inherited from his family. A blend of Baltic German discipline and Jewish heritage, he navigates a precarious existence, balancing the pressures of a declining economy, increasingly hostile business climate, and the ever‑present demands of his capricious wife. His temper frays under the weight of workers’ grievances and the relentless march of businessmen who see his sweet‑making trade as an easy target for exploitation.

His marriage to Lydia Hermann is a study in volatile affection; she is vibrant and demanding, sharing an unusually close bond with her bachelor cousin, the painter Ardalion. Their tangled dynamics lend the story a constant undercurrent of domestic comedy, as Lydia’s whims and Ardalion’s artistic pretensions collide with Hermann’s attempts to keep his world intact. The trio’s interactions illuminate both the personal absurdities of the era and the larger, unsettling transformations sweeping through the city.

Amid this chaotic tableau, Hermann encounters a drifter named Felix, whose uncanny physical resemblance to him sparks a wildly imaginative scheme to escape the pretended reality he loathes. Their connection hints at a surreal partnership, inviting the audience to wonder whether identity, chance, or sheer desperation will rewrite the rules of survival in a Berlin that feels simultaneously familiar and wildly distorted.

Last Updated: December 04, 2025 at 18:00