D-Tox

In the stark, snow‑bound wilderness of Wyoming, a remote detox facility becomes a reluctant refuge for a handful of law‑enforcement officers whose lives have spiraled out of control. The centerpiece is Jake Malloy, an once‑respected FBI agent now haunted by personal demons and teetering on the edge of alcoholism. Sent there after a devastating personal loss, he arrives with a mixture of bitterness and the faint hope that isolation might finally offer a chance at redemption. The clinic, run by the seasoned and steady Dr. John “Doc” Mitchell, is designed as a sanctuary where the very people accustomed to enforcing the law can confront their own vulnerabilities.

The environment itself imposes a heavy, claustrophobic mood: bitter cold, relentless wind, and a blizzard that cuts off all outside contact. Inside the cramped, wooden walls, the ten occupants—each bearing their own scars from the front lines—must learn to coexist in close quarters. The dynamic is a tense mix of camaraderie and guardedness, as hardened officers who are used to commanding now find themselves reduced to patients, sharing stories over hot tea while the storm howls beyond the windows. Their interactions are tinged with both solidarity and uneasy competition, each trying to prove they still have something to offer despite the personal wreckage they carry.

As the days stretch and the isolation deepens, an unsettling undercurrent begins to surface. The very safety the facility promises feels increasingly fragile, hinting that the real danger may not be the weather at all but something unseen among the group. In this frozen enclave, Jake must grapple not only with his own inner turmoil but also with the growing sense that trust is a fragile commodity. The film settles into a brooding, suspense‑laden tone, inviting viewers to wonder what lurks beneath the calm surface of the rehabilitation center and how far a man will go to reclaim his shattered sense of purpose.

Last Updated: October 23, 2025 at 16:20