Cover Girl Killer

A cover girl model is found dead in London, posed as she appeared on the front cover of Wow magazine. The death is initially treated as an overdose pattern rather than a suicide. Police begin investigating possible connections between this victim and other similar cases.

The police uncover a connection between the deaths and Wow magazine. Johnny Mason, the magazine's owner and an archaeologist who has just inherited it, reveals that another recently deceased girl also posed for the magazine. This information suggests a continuing scheme linked to the publication.

Investigators confirm that three cover girls have died, all from overdoses and dressed in the same outfit as in the magazine. An injection mark under the latest victim's fingernail hints at foul play rather than a simple suicide. The killings form a disturbing serial pattern tied to the magazine.

The police attempt to contact the young model from the following edition, but their outreach comes too late. The killer has already arranged to meet her to photograph her for an advertising campaign and he murders her when the encounter turns fatal. The murder confirms the killer's relentless reach.

The killer is revealed as Mr Spendoza, a middle-aged man with thick glasses, a toupee, and a raincoat. His distinctive appearance aids recognition, but removing the disguise makes him hard to identify. He believes he is punishing moral corruption among the models.

The police pursue multiple suspects as the killer continues to lure his victims to their deaths. He shifts between disguises, posing as advertising executives and film/TV producers to stay ahead of investigators. The case grows more elusive as the deaths continue.

Spendoza approaches the police under the name Fairchild, offering a lead that claims a connection to his tenant, Mr Spurling. He emphasizes the need for glasses, though Fairchild himself does not wear them. The ruse aims to misdirect investigators and sow doubt about his true identity.

Johnny informs the police that models are refusing to pose due to the murders. In response, June, Johnny's girlfriend, volunteers to model, and the police plan to lure the killer to a theatre and burlesque show as a trap. The plan marks a foray into a direct confrontation strategy.

Spendoza, without glasses and under another alias, visits a theatrical agent and hires someone who resembles his alter ego. The lookalike appears at the theatre to meet June, further distracting the police. The deception is designed to keep him free while the trap is set.

Believing they've captured the killer, the police transport him to the station, leaving one officer to guard June. The sense of breakthrough is tempered by the precarious security and the looming threat of an escape or attack. Tension mounts as the trap tightens.

The lone officer guarding June is attacked by the murderer, and June is left alone with him. The sudden assault shatters the illusion of capture and underscores the killer's ruthlessness. The immediate danger escalates as the situation spirals out of control.

With June facing the killer, the summary implies a loss of control and a perilous confrontation that does not find a definitive resolution in the presented material. The audience is left unsure of the killer's fate and the outcome of the trap.