Butt Boy

In a nondescript corner of the South Kritika Counties, the hum of a corporate sales office blends with the quiet desperation of a city that never quite settles into normalcy. Amid the fluorescent lights and half‑hearted sing‑alongs, Russell Fox wanders the thin line between duty and self‑destruction. A seasoned detective whose career is weighed down by late‑night drinks and sleepless nights, he finds himself drawn into a support group where the promise of sobriety feels as fragile as the glass of water he clutches. It is there he meets Chip Gutchell, an absent‑minded IT worker whose calm demeanor masks a world of unsettling quirks.

Fox’s latest assignment centers on a case that has the community on edge—a child gone missing, a mystery that seems to seep into every conversation. As he leans on Chip for guidance within the AA circle, the two men form an uneasy partnership, each haunted by their own demons. The investigation pulls Fox deeper into Chip’s sphere, and the ordinary becomes increasingly strange: rumors of people vanishing without a trace, whispers that something odd is happening to those close to Chip, and a growing sense that reality itself may be warped by an invisible force. The tone balances gritty noir sensibilities with an absurd, almost surreal edge, letting dark humor surface amid the tension.

The film paints a world where corporate banality and personal breakdown coexist, where the search for truth feels like navigating a maze of half‑remembered memories and bizarre bodily metaphors. Fox’s journey is as much about confronting his own failures as it is about untangling the knot of the missing child case. With each step, the audience is left wondering how far the line between the tangible and the uncanny can be stretched, and whether the answers lie in the mundane or in something far more unsettling.

Last Updated: November 25, 2025 at 14:45