Bianco, rosso e Verdone

In early‑1980s Italy, the nation holds a pivotal election that draws three disparate men back to their hometowns for a single, decisive act: casting a vote. The story unfolds on the sprawling motorways that link a bustling capital with remote provinces, offering a vivid snapshot of a country caught between the optimism of democratic ritual and the everyday absurdities of its landscape. The journey itself becomes a loose thread that ties together personal longing, familial obligation, and the quiet desperation of a society in flux.

Pasquale, a Southern immigrant who has spent years in Munich, returns with the naive thrill of a homecoming, eager to reconnect with the land of his birth despite the briefness of his stay. Furio, a meticulous clerk from Turin, embarks on the trip with his wife and children, turning the pilgrimage into an overly organized expedition that threatens to strain the bonds of his marriage. Mimmo, a simple‑hearted youngster, travels alongside his aging grandmother, shouldering the responsibility of caring for her while navigating the unfamiliar rhythms of the capital. Magda, Furio’s wife, bears the weight of his compulsions, her patience tested by the relentless pursuit of order amid an inherently chaotic road trip.

The film balances a light‑hearted, almost slapstick sensibility with a sharper, satirical undercurrent that critiques the gap between Italy’s romantic self‑image and the gritty realities of everyday life. Its tone swings from gentle comedy to moments of poignant reflection, inviting viewers to watch ordinary people confront the small catastrophes that accompany any journey. Through a series of loosely connected misadventures, the narrative sketches a portrait of a nation where personal and political stakes mingle, leaving the audience curious about how each traveler’s expectations will ultimately measure up against the country they briefly rediscover.

Last Updated: December 04, 2025 at 17:29