Baghban

In a quiet Indian suburb, an elderly couple who have devoted four decades to raising a large, loving family find themselves confronting an unsettling new reality after retirement. Raj Malhotra and Pooja Malhotra have built a life around caring for their children, but the passage of time leaves them without a home of their own, and the very family they nurtured now appears uncertain about how to support them.

Their four grown sons—Ajay, Sanjay, Rohit and Karan—along with an adopted son who remains deeply attached to his father, Alok, propose a radical solution: the parents will be divided, each spending six months living with a different child. The arrangement is intended to test the limits of familial duty and the couple’s own resilience, setting the stage for a story that balances tender affection with the quiet ache of expectation.

Raj carries a reflective side, a habit of chronicling his thoughts that hints at an inner world shaped by years of self‑less effort. Pooja radiates steadfast strength, her composure suggesting a deep well of patience and love that has held the family together. Their bond, forged through shared sacrifices, becomes the emotional anchor of the tale, offering a contrast to the uncertain dynamics they now navigate with each of their children’s households.

The film’s tone is both contemplative and hopeful, inviting viewers to glimpse the delicate dance between tradition and modernity, duty and desire. As the couple moves from one home to another, the narrative gently explores how love endures amid shifting circumstances, leaving an open question about what true belonging means when the very foundations of family are re‑examined.

Last Updated: October 23, 2025 at 16:14