Bad Education

In the hushed corridors of a devout Catholic school in the early 1960s, a rigid world of doctrine and discipline cloaks the restless curiosity of its pupils. Amid the echo of chanting hymns and the strict gazes of teachers, two young boys—Ignacio and Enrique—find themselves drawn together by a secret shared fascination with cinema, a whispered language of love, and the quiet rebellion that flickers behind the school’s iron‑clad rules. Their friendship blossoms in a place where affection is measured and desire is concealed, creating a tender pocket of escapism that feels both fragile and defiant.

Overseeing the daily rituals of the institution, Father Manolo serves as both principal and literature teacher, his eyes shifting between concern and a subtle, almost scholarly fascination. He watches the boys navigate their burgeoning identities, recognizing the fragile beauty of their connection while grappling with the weight of the moral code he is sworn to uphold. The atmosphere is saturated with the muted tones of a tightly controlled environment, punctuated by the bright, fleeting allure of film reels and whispered promises that hint at possibilities beyond the cloistered walls.

Decades later, the same lives intersect once more amid the cultural turbulence of the late 1970s and early 1980s. Time has altered the world around them, yet the echo of their youthful discoveries lingers, pulling them into a convergence that feels inevitable and charged with unseen significance. The film drifts between the nostalgic haze of the past and the restless energy of a new era, inviting viewers to sense the lingering impact of first loves and the way they shape destinies.

Through its elegant, melancholic palette, the story balances the tenderness of hidden affection with the stark realities of a world in transition, leaving the audience to contemplate the enduring resonance of those formative moments and the quiet, persistent pull of memory.

Last Updated: August 10, 2025 at 10:38