As I Open My Eyes

In the summer of 2010, the streets of Tunis pulse with an uneasy energy, the air thick with the promise of change that will soon erupt into revolution. The city’s historic neighborhoods sit side‑by‑side with hidden venues where a new, defiant culture whispers through amplified guitars and restless verses. Lanterns flicker over cafés, while distant chants hint at a society on the brink of transformation, setting a backdrop that feels both intimate and charged with collective anticipation.

Farah Kallel stands at the heart of this moment, an 18‑year‑old on the cusp of adulthood, balancing the final weeks of school with an insistent pull toward the underground music scene. She spends her evenings rehearsing with a fledgling band, letting the raw, unfiltered sound of the city shape her own voice. Music becomes her refuge and her rebellion, a language she uses to negotiate her place in a world that seems to demand conformity while beckoning her toward self‑expression.

Hayet, Farah’s mother, embodies the more traditional side of Tunisian life, hoping her daughter will follow a safer, more conventional path. Their relationship is a delicate dance of love and expectation, each conversation hinting at the generational rift widening between them. While Hayet offers guidance born of experience, Farah’s yearning for artistic freedom creates a tension that feels as inevitable as the distant drumbeats echoing through the city’s alleys.

The film weaves together the vibrancy of youthful aspiration with the weight of cultural expectations, painting a portrait of a young woman standing at a crossroads. The tone is at once hopeful and introspective, inviting the audience to feel the electric buzz of a city on the verge of upheaval and the quiet, personal rebellions that shape its future.

Last Updated: August 10, 2025 at 03:44