And Then We Danced

In the austere rehearsal halls of the National Georgian Ensemble, the rhythm of tradition pulses through every step, demanding both precision and passion. Merab lives for this world, a young dancer whose dedication borders on obsession as he prepares for a coveted place in the troupe. The film immerses the viewer in the quiet intensity of Georgian ballet, where the line between art and identity is as thin as a perfectly held arabesque.

Sharing the stage—and an ambiguous partnership—with his longtime counterpart Mary, Merab navigates a relationship built on mutual ambition and unspoken affection. Their routine is suddenly disrupted by the arrival of a striking new talent, Irakli, whose presence ignites a fierce rivalry that pushes both men to the edge of their abilities. The competition quickly becomes a conduit for a deeper, unanticipated bond, hinting at emotions Merab has never explored within the disciplined confines of the dance world.

Beyond the studio, family expectations loom large. Merab’s father urges him toward a more conventional future, while his elder brother David drifts in and out of his life, adding an undercurrent of instability. The clash between external pressures and internal desire forces Merab to confront questions about loyalty, ambition, and the very nature of love. The choreography becomes a language through which these conflicts are felt as much as spoken.

And Then We Danced balances the elegance of Georgian folk movement with a quietly electric tension, portraying a coming‑of‑age story that is as much about the courage to follow one’s heart as it is about the pursuit of artistic perfection. The mood is intimate and lingering, inviting audiences to watch the characters sway between discipline and desire, all while the music of their world swells beneath every step.

Last Updated: November 25, 2025 at 14:47