And Then We Danced

In the vibrant streets of contemporary Georgia, the world of traditional folk dance pulses like a living tapestry, where disciplined bodies move to centuries‑old rhythms under the watchful eye of a stern yet passionate choreographer. The National Georgian Ensemble serves as both a sanctuary and a crucible, its rehearsal halls echoing with the clash of ambition and heritage, and the outside world humming with modern uncertainty.

Merab is a young dancer whose life revolves around perfecting each step, honoring the legacy of his family’s involvement in the troupe, and navigating the closeness of his provisional partner Ana while keeping an eye on his troubled brother David. He moves with a quiet intensity, his identity tightly woven into the disciplined structures of the ensemble, yet a restless curiosity hints at possibilities beyond the prescribed movements.

When the troupe welcomes a charismatic newcomer, Irakli, his effortless talent and unconventional style ripple through the group like a sudden gust. His presence challenges the established order, stirring both admiration and rivalry in Merab. The tension between the two dancers sparks a fierce, almost palpable competition, prompting Merab to question the limits of his own artistry, the nature of his relationships, and the expectations placed upon him by tradition and family.

Against this backdrop of rhythmic precision and looming change, the film breathes with a mood that blends graceful elegance and simmering emotional heat. It invites the audience to watch a delicate dance of self‑discovery, where every lift and turn may reveal hidden desires, and where the clash between old and new promises to reshape not only a dancer’s technique but the very core of who he is.

Last Updated: August 10, 2025 at 01:25