All Is True

In the smoky aftermath of a theatre fire, William Shakespeare trudges back to the thatched roofs of Stratford‑upon‑Avon, a man whose fame in London is matched only by the quiet unease of his rural home. The film opens on a landscape where the bustle of the Globe gives way to the slower rhythm of gardens, hearths, and the unspoken weight of a family that has long been stretched between two worlds. The tone is intimate and reflective, blending the lyrical quality of the Bard’s own words with a grounded, almost visceral portrait of early‑17th‑century English life.

At the heart of the story is Shakespeare’s strained reunion with Anne Hathaway, his wife whose life has been defined by perseverance in the face of isolation and limited literacy. Their marriage, once vibrant with shared dreams, now feels like a fragile tapestry frayed by years of separation and the lingering grief of a lost child. Around them, their daughters embody the era’s conflicting expectations: Susanna, the elder, navigates a marriage to a stern puritan doctor, while Judith, the younger, chafes against the constraints placed on women and harbors a secret yearning for creative expression.

The household is further complicated by the presence of the Earl of Southampton, a patron whose ambiguous past with Shakespeare adds a layer of subtle tension, and the ever‑watchful Ben Jonson, a fellow playwright whose camaraderie hints at both rivalry and deep respect. As the family settles into daily routines—tending gardens, learning to read, and sharing quiet evenings—the film hints at buried truths and unresolved emotions that linger like the ash from the burned stage. The mood is one of gentle melancholy mixed with moments of humor and hope, inviting viewers to sense the undercurrents of love, regret, and the timeless quest for redemption without ever stepping beyond the delicate premise of a playwright’s return home.

Last Updated: August 10, 2025 at 02:09