The Time to Live and the Time to Die

The Time to Live and the Time to Die

Year: 1985

Runtime: 136 mins

Language: Chinese

Director: Hou Hsiao-hsien

Drama

An autobiographical film based on Taiwanese director Hou Hsiao-hsien’s memories of his youth growing up in Taiwan after emigrating from mainland China.

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The Time to Live and the Time to Die (1985) – Full Plot Summary & Ending Explained

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The Time to Live and the Time to Die uses Hou Hsiao-hsien’s own voice as the voice-over narrator to trace the maturation of Ah-ha across the years 1947 to 1965. The film begins with the filmmaker recounting how his father, a public servant in the Nationalist government, brought the family to Taiwan to live in Hsinchu and then moved to a dormitory in Fengshan, Kaohsiung due to his ill health.

Ah-ha’s grandmother would frequently call him to dinner and sometimes escort him on trips back toward China, a journey that is physically impossible and perplexing to the locals. The story then follows the death of Ah-ha’s father, a sickly man whose passing leaves his mother to raise her children alone while sharing memories of her life, including the loss of her eldest daughter in infancy.

As Ah-ha grows into a rebellious high school student, the film captures a tense wartime atmosphere visible in the tank tracks on the road. He flirts with danger, getting into scraps with peers and local gangs, and even acting out against authority—deflating a teacher’s bike tire after a dispute and shattering a veteran’s window.

The death of his mother from tongue cancer marks a turning point, prompting him to re-evaluate his priorities. He falls in love with a girl from another high school who makes his future seem possible—on the condition that he first gain admission to college. His resolve is tested when, a year later, he fails the exam. The setback deepens his guilt over his grandmother’s absence; she dies at home, unnoticed by him and his two younger brothers, and a mortician quietly rebukes the family for their lack of filial piety as half her body lies in decay.

The film closes with a quiet, lingering reflection from the narrator on the long road he walked with his grandmother toward China and the guava trees they gathered along the way, a memory that underlines how memory itself can endure long after the living have moved on.

Last Updated: November 29, 2025 at 00:47

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Autobiographical Memory Films Like The Time to Live and the Time to Die

Quietly reflective films based on a writer or director's own coming-of-age memories.Discover movies like The Time to Live and the Time to Die that explore personal histories. These similar dramas use a reflective, nostalgic lens to tell coming-of-age stories based on memory, focusing on themes of family, loss, and the passage of time in a slow, poignant manner.

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Narrative Summary

These narratives are often episodic and linear, unfolding as a series of remembered moments rather than a tightly woven plot. The central conflict is usually internal—the process of grappling with one's past and its emotional legacy. The journey moves from innocence to experience, often framed by a present-day narrator reflecting on the events.

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These films are grouped by their shared foundation in personal memory, their melancholic and reflective tone, and their deliberate, atmospheric pacing. They prioritize emotional authenticity and a specific sense of time and place over conventional drama, creating a unified, intimate viewing experience.

Films About Family and Melancholy Like The Time to Live and the Time to Die

Stories where family life is marked by a slow accumulation of grief and quiet reflection.If you liked the quiet sadness and family focus of The Time to Live and the Time to Die, explore these similar movies. They feature slow, reflective dramas about grief, filial piety, and the bittersweet dynamics of family life, presented with a heavy emotional weight and melancholic tone.

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Narrative Summary

The narrative follows a character, often a child or young adult, as they navigate a family landscape altered by death, illness, or separation. The story unfolds gradually, emphasizing the long-term emotional aftermath of these events rather than their immediate shock. The central arc involves coming to terms with change and the complex responsibilities of family ties.

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This thread unites films through their shared mood of quiet melancholy, their focus on familial relationships under duress, and their slow, deliberate pacing that allows grief to permeate the story. They share a heavy emotional weight and a tone that is more sad than bleak, more reflective than tense.

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