A House of Dynamite

In Washington, D.C., Captain Olivia Walker, Rebecca Ferguson the oversight officer for the White House Situation Room, is alerted to a cluster of alarming developments: an imminent PLA exercise, suspicious chatter between Iran and its proxies, and a silence from North Korea following a ballistic missile test. The moment pushes the administration into a tense triage of intelligence, diplomacy, and defense, as everyone waits for the next move from a volatile global chessboard.

From the Pacific, the SBX-1 early-warning radar flags an unidentified intercontinental ballistic missile sprinting across the sky. At first it looks like a North Korean test, but as the ICBM arcs into low orbit and charts a fast, direct path toward Chicago with mere minutes to spare, the gravity of the threat becomes undeniable. The crisis snaps into full view as a video conference connects the Situation Room, the Pentagon, and multiple combat commands, with the President joining last and DEFCON levels creeping upward. A near-term decision point looms: retaliate now or wait for more clarity about the launch’s origin.

The command relay centers on two frontline intercept attempts. NORTHCOM orders two ground-based interceptors to meet the incoming weapon, but the first fails to deploy and the second misses entirely, a blow to morale that shakes Major Daniel Gonzalez, Anthony Ramos. The room watches in horror as the situation spirals toward DEFCON 1, while the human cost of every second becomes brutally real. The clock is ticking, and every choice carries profound consequences for millions who have no say in the crisis unfolding above them.

As the government activates continuity protocols, Secretary of Defense Reid Baker triggers evacuation plans that cascade through the government. FEMA official Cathy Rogers, Moses Ingram, is removed from the potential fallout, signaling a shift from routine governance to crisis management under pressure. Deputy National Security Advisor Jake Baerington, Gabriel Basso, urges caution, advising the President to withhold retaliation until the missile’s origin is confirmed. The pair consults with Ana Park, Greta Lee, whose insights hint at complex strategic possibilities, including the possibility of submarine-launched capabilities and a cyber dimension to the crisis that could undermine satellite detection.

In parallel, Baerington engages with Russia’s foreign policy circles, seeking to avert a wider war while the Russian minister dodges a direct commitment and hints at escalation if Russia is targeted. The president, faced with a ticking clock and a cascade of risk, contemplates the implications of a decision that could unleash global devastation or seal a path to de-escalation. The tension intensifies as the president confirms his nuclear command authority with General Anthony Brady, Tracy Letts, who grounds the conversation in the realities of OPLAN 8010 and the grim tradeoffs behind any option to retaliate. The dynamic is underscored by the involvement of Lt. Cdr. Robert Reeves, Jonah Hauer-King, who travels alongside the president as he weighs the consequences of action, including the grim possibility of nuclear exchange.

Earlier in the day, Reeves accompanies the president to a basketball event while Baker confronts his own personal demons, attempting to save his estranged daughter from Chicago. The tension between duty and family is reflected in the human stakes of the decision to retaliate. The president is pulled toward a hard choice between the non-retaliation instinct proposed by Baerington and the more aggressive posture urged by Brady, a debate that sits at the intersection of policy, ethics, and survival. The President’s sense of responsibility grows heavier as he is evacuated by Marine One to an undisclosed location, where he reaffirms his control of the nuclear arsenal, seeking counsel from Brady and Reeves about possible strike options. The human element remains central: he communicates with the First Lady, Renée Elise Goldsberry, who is abroad in Kenya, underscoring how far-reaching the crisis is for every family and every corner of the country.

From the chaos of the decision room to the frontline of mobilization, the narrative threads converge on a stark image: a nation standing at the precipice, advised by officials who must balance national security with moral responsibility. The President faces two major retaliation options from the plan, while Rogers and Park make their way into the Raven Rock Mountain Complex, a symbol of strategic resilience under duress. In the days that follow, Major Gonzalez’s unit near Fort Greely, as well as the broader US defense posture, will be shaped by the outcomes of these crucial minutes, while the families of those serving—like Caroline Baker, Kaitlyn Dever, and others—await news with bated breath. The fate of the moment rests on disciplined calculations, imperfect information, and the stubborn human impulse to seek a safer path when the house of dynamite is built on shifting ground.

living in “a house of dynamite”

In the aftermath of the near-miss, the story remains focused on the moral dimensions of power, the uncertainties inherent in intelligence, and the heavy responsibilities placed on those who must decide when and how to respond to threats that could redefine the world. The narrative does not shy away from the intimate costs—evacuation, fear, and the ache of separation—as it presents a portrait of leadership under pressure, where every contact, every call, and every personal sacrifice matters in the larger calculus of national survival. The film keeps its lens on the people who stand between calamity and catastrophe, ensuring a thorough, grounded, and human-centered account of a moment when history could tilt in an instant. The ensemble of characters, from the President to the security advisors and field officers, are drawn with care, each carrying their own burdens as they navigate a crisis that tests loyalty, judgment, and the very limits of restraint.

Last Updated: January 06, 2026 at 10:49