1st of May: All Belongs to You

Uwe visits a brothel after learning his wife has cheated on him. The discovery devastates him before he even leaves for Berlin, and the brothel visit represents a temporary escape from his personal crisis. He is already emotionally unstable when he arrives in Berlin, and this act underscores how the betrayal has fractured his sense of duty and personal identity.

Earlier, Uwe is seen confronting his wife's infidelity while preparing for his shift, establishing his fragile mental state.

Yavuz is an eleven-year-old Turkish boy who desperately wants to prove himself and grow up quickly. He sees participating in May Day turmoil as a rite of passage, a way to demonstrate his masculinity and be accepted into the adult world. His desire to join with his brother reflects his coming-of-age ambitions and need for validation in a society where he feels like an outsider.

The film establishes Yavuz as determined to show he is no longer a child by facing the chaos of May Day.

All three narrative threads converge at a Kreuzberg hospital by evening as injuries from the May Day violence accumulate. Uwe arrives with his broken nose from the water cannon, while Yavuz and likely Jacob and Pelle also end up there due to the day's chaos. The hospital becomes a symbolic crossroads where the disparate characters, who have been moving through separate parts of the city, finally share the same space and reflect their shared vulnerability.

The film intercuts between the three storylines throughout, building toward their physical intersection as the day progresses.

Harry, an older man encountered on the streets of Kreuzberg, develops protective instincts toward Yavuz almost immediately. He recognizes the boy is too young and vulnerable for the dangerous environment and steps into a mentoring role. Their bond grows as they build a street barricade together, with Harry guarding Yavuz against the surrounding violence. The dynamic suggests Harry sees something of his younger self in the boy or feels a responsibility to protect him from the chaos he himself participates in.

Their first meeting establishes Harry's immediate concern for Yavuz's safety amid the escalating crowd.

Jacob and Pelle, two middle-class youths from Minden, find that scoring drugs on May Day is far more difficult than they anticipated. The chaos of the protests creates an unpredictable environment where their usual approaches fail. They misread signals, encounter unresponsive pushers, and quickly realize that May Day is not the playground they imagined. Their failed drug hunt becomes a test of their nerve and judgment, exposing their inexperience and the gap between their fantasies and reality.

Before arriving, they oscillate between being tourists and potential rioters, showing their uncertain and naive approach to the day.

Uwe finds himself caught between protestors and police lines as demonstrations flare. When a water cannon is deployed against the frontline crowd, he is directly in its path and sustains a broken nose. This injury is both a physical manifestation of the violence he is caught between and a symbol of how his day, already fractured by his wife's betrayal, spirals into chaos. He is injured while doing his duty, yet also victimized by the very force he is meant to support.

Uwe's presence in the frontline is foreshadowed by the tense atmosphere as demonstrations begin.

Jacob and Pelle are two middle-class young men from Minden who travel to Berlin seeking drama and excitement. They are drawn to May Day in Kreuzberg specifically because of its reputation for intense protests and the promise of chaos. Their motivation is partly thrill-seeking and partly a desire to rebel against their comfortable, provincial backgrounds. Throughout the day, they debate whether to act as tourists or join the rioters, revealing their underlying need to prove something to themselves.

They arrive in Berlin looking for something dramatic, establishing their intent from the start.

Uwe's broken nose serves as a physical manifestation of the dual pressures he faces throughout the day. Already wounded by his wife's betrayal, he is now literally injured by the very conflict he is sent to manage. The injury occurs in the frontline where he is caught between his duty and the violence unleashed by his own colleagues. It marks a turning point in how he perceives the May Day mayhem, forcing him to confront the reality of what he is part of.

His position in the frontline during the water cannon attack makes the injury inevitable.

The barricade Harry and Yavuz build together becomes a focal point where intergenerational tension and protection collide. For Yavuz, building the barricade transforms his desire for chaos into a tangible act of defiance, a way to participate in the day's events. For Harry, it represents both his willingness to engage in the protest and his role as a protector. The structure physically embodies the film's themes of innocence meeting experience, as an old man guides a young boy through civil unrest.

Their collaboration begins after Yavuz meets Harry, establishing the barricade as a key bonding activity.

The film establishes that Uwe's wife has cheated on him, though it does not deeply explore her motivations. The betrayal is presented as the catalyst for Uwe's emotional unraveling before he even arrives in Berlin. This personal betrayal compounds the stress of his dangerous duty and contributes to his decision to visit a brothel, a desperate attempt to escape his pain. The infidelity serves as the primary source of Uwe's fragile mental state throughout the day.

Uwe discovers the betrayal while preparing for his shift, immediately setting up his emotional crisis.

Kreuzberg is a Berlin neighborhood famed for its intense May Day protests, where demonstrations have a long history of escalating into violence. The area is known for its political activism and simmering social unrest, making May 1st a flashpoint for conflict between protestors and police. The film uses this setting to create an atmosphere of constant tension, where the threat of violence and emotional distress is ever-present. For the characters, being in Kreuzberg on May Day means entering a space where personal crises can easily collide with collective anger.

The film describes Kreuzberg as a neighborhood famed for intense protests and simmering emotions.