Year of the Gun

In a Rome that feels perpetually soaked in shadows, the streets pulse with unrest and a palpable lack of trust. The city’s political climate is a tinderbox, its daily life humming with the rumors of radical movements that threaten to upend the fragile order. Into this charged atmosphere arrives David Raybourne, an American novelist on a research visit, hoping to turn the turbulence around him into the material for his next book. While he navigates the city’s cafés and newspaper offices, his personal life is equally complicated—he is drawn into a passionate, yet precarious, relationship with Lia, the enigmatic wife of a powerful industrialist.

Italo Bianchi, a university lecturer with left‑leaning inclinations, becomes an unlikely confidant, offering Raybourne insight into the intellectual currents that fuel the unrest. Their conversations reveal a world where ideas can be as dangerous as guns, and where the line between observer and participant blurs. Through Bianchi’s connections, Raybourne meets Alison King, a striking and ambitious photojournalist whose hunger for a story matches his own drive to capture the era’s raw truth. Their chemistry sparks both creative collaboration and a subtle tension that mirrors the city’s own uneasy balance.

The film swirls with the feverish mood of 1970s Italy—smoky cafés, graffiti‑scarred walls, and a soundtrack that echoes the heartbeat of a nation on the brink. Its tone blends gritty realism with a lingering sense of paranoia, inviting the audience to feel the weight of every whispered rumor and behind‑the‑scenes negotiation. As Raybourne delves deeper into his research, the line between fiction and reality begins to fade, leaving him to wonder how far he can go before the story he’s chasing pulls him into the very conflict he set out to chronicle.

Last Updated: November 29, 2025 at 04:45