Who Gets to Call It Art?

In the bustling heart of 1960s New York, a city humming with neon signs, jazz clubs, and restless creativity, a young art historian steps onto the scene with a vision that feels both rebellious and reverent. Henry Geldzahler arrives fresh from Ivy‑League classrooms, instantly drawn to the gritty lofts and smoky bars where painters, musicians, and writers blur the lines between discipline and daring. The documentary paints this era as a kinetic collage of street‑level energy and high‑brow ambition, inviting viewers to feel the pulse of a moment when America’s cultural identity was being rewritten on canvases, billboards, and the very walls of its museums.

Against this backdrop, Geldzahler emerges as a charismatic bridge between the avant‑garde underground and the venerable institutions of the art world. His enthusiasm for bold, unapologetically commercial aesthetics—think bright silkscreens and everyday objects elevated to fine art—creates a lively tension that fuels the film’s tone. Through archival footage, vivid interviews, and period music, the story captures his infectious optimism and fierce advocacy for artists who were still fighting for legitimacy, hinting at the transformative power of championing the new while honoring the past.

The film’s mood is simultaneously celebratory and reflective, a love letter to a decade that dared to question everything from tradition to taste. It invites curiosity about how one determined curator might sway public perception, inspire a generation of creators, and challenge the very definition of “art.” As the streets of Manhattan glow with possibility, the audience is left pondering the lasting echo of those daring choices, and how a single voice can help reshape a cultural landscape forever.

Last Updated: August 10, 2025 at 10:13