Under the Sand

In the quiet dunes of the Landes, a stretch of western France where the sea breathes against endless sand, a couple has made the rhythm of their lives a yearly pilgrimage. Marie, a respected English professor from Paris, and Jean, her husband of twenty‑five years, find solace in the simple ritual of summer vacations at a family‑owned house that overlooks the ocean. The landscape is both idyllic and indifferent, its endless horizon mirroring the steadiness of their partnership and the gentle, unspoken promises that have carried them through decades.

The story begins when a single, unanticipated moment on the beach shatters that equilibrium. While Jean slips into the water, Marie remains on the shore, only to watch the sea claim him without warning. The sudden absence hangs over the summer like a heavy tide, turning the once‑familiar dunes into a place of quiet dread. The film settles into a tender, almost lyrical tone, drifting between stark reality and the fragile, dream‑like reverie that grief summons. As Marie wrestles with the void left behind, memories of shared laughter and whispered confidences surface, blurring the line between what was and what might still be.

Against this backdrop of sun‑bleached coastlines and the muted hum of distant gulls, the narrative explores the intimate mechanics of loss. Marie’s internal world is painted with soft, melancholy hues, while her surroundings retain a crisp, natural beauty that both comforts and unsettles. The mood is contemplative, inviting the audience to linger in the space where love endures beyond certainty, and where the sea’s endless expanse reflects the boundless, often turbulent currents of the human heart.

Last Updated: August 10, 2025 at 11:45