Under Fire

In the sweltering heat of late‑stage Nicaragua, a nation teeters on the brink of revolutionary collapse. The ferocious clash between Sandinista insurgents and the U.S.–backed Somoza regime transforms streets, cafés, and jungle clearings into front‑line newsrooms, where every shouted order and distant mortar strike could become tomorrow’s headline. The film captures this volatile landscape with a gritty, almost palpable urgency, letting the viewer feel the weight of history pressing down on a country whose future is still being written.

Amid this turmoil, Russell Price, a seasoned photojournalist, and Alex Grazier, his fellow correspondent, arrive with their cameras and notebooks, ready to document the chaos. Their colleague Claire Stryder joins them, bringing a sharp analytical mind and a personal history that subtly complicates the trio’s dynamic. As the three Americans weave through checkpoints, press briefings, and makeshift safe houses, they confront a tightening web of professional responsibility and personal allegiance. When a fellow journalist is brutally murdered, the shock reverberates through their tight‑knit circle, forcing them to question the very foundations of their vocation.

The film’s tone balances feverish tension with contemplative silence, reflecting the constant push‑and‑pull between observation and action. Its visual style—raw, handheld framing paired with stark, sun‑bleached vistas—mirrors the ethical fog that settles over the reporters’ choices. As the revolution swells around them, the journalists must decide whether to remain detached chroniclers of history or to step into the maelstrom, risking everything to shape the story they are meant only to record. The stakes are not just political; they are profoundly personal, leaving the audience to wonder how far one will go when truth and survival collide.

Last Updated: December 04, 2025 at 16:17